A Quote by Pauline Oliveros

When I composed the first sonic meditation, I realized that I was composing the direction of attention. — © Pauline Oliveros
When I composed the first sonic meditation, I realized that I was composing the direction of attention.
It's very hard to take a character out of nothing, and put a hook on it, especially because it's only sonic. Futurama is a sonic world, and everyone's attention is focused on that sound and that little cartoon image. You can change it.
In a sacred moment, when attention is pulled inward, rather than continuing in its usual outward direction, silence is realized.
People think of time as a continuum composed of points which is stretched out at a line, and even if you add a direction to it and say one direction on the line is past and the other direction is future, or better, one direction is "earlier than" and the other direction is "later than", you're still thinking of it as like a geometrical line which is stretched out rather than as a dynamic process of becoming.
God dwells in you, as you, and you don't have to 'do' anything to be God-realized or Self-realized, it is already your true and natural state. Just drop all seeking, turn your attention inward, and sacrifice your ego mind to the One Self radiating in the Heart of your very being. For this to be your own presently lived experience, Self-Inquiry Meditation is a direct and immediate way.
Isn't composing music akin to film direction?
My first meditation teacher told me that there is no such thing as a bad meditation. He was right. During the difficult meditations you build up your strength, which creates meditation for peace.
Composing gives me a chance to work in multiple dimensions and helps me pare down my melodies into what is essential. Learning new skills has always energized me and scoring has opened up a world of sonic possibilities.
What I wanted and what I visualized while composing has not always been realized.
Something that I did, and I developed out of that sonic meditations, which were pieces that I composed in the '70s that now are very well-known and used in many classrooms all over the world, but at the time were outrageous.
Through meditation and by giving full attention to one thing at a time, we can learn to direct attention where we choose.
Mindfulness is often spoken of as the heart of Buddhist meditation. It's not about Buddhism, but about paying attention. That's what all meditation is, no matter what tradition or particular technique is used.
As far as I'm concerned, the world is composed of stories. For architects, the world is composed of buildings, for actors the world is composed of theatres, or whatever... For me, the world is simply composed of stories, when I look, that's what I see.
I don't make sonic booms. I want a whip. I like the idea of walking around making sonic booms everywhere.
Composing a melody or a western song is easier than composing a commercial number.
First, meditation, and then out of meditation comes creativity of its own accord.
I have not thought of pairing with somebody for music direction and will continue composing music by myself.
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