A Quote by Pauline Oliveros
I used to go into the studio around midnight and stay all night.
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The thing with R Kelly was, he liked to record late at night, around midnight. And what was different with his studio was that one room had a recording suite, and next door was a club, with 40 or 50 people dancing.
I worked night security for Estee Lauder. It was horrible. I worked from midnight till 8 in the morning. I did that just so I could sleep during the day, then go into Manhattan to train with Renzo at night. I would train, then go work all night in a guard booth.
That's what got me into exercise and training my body and my voice. I looked at Madonna as this G.I. Jane superstar. I used to go jogging around my neighborhood at midnight sometimes and I'd be thinking, it'll all be worth it one day.
Andy Warhol was a good friend of mine. We used to go to the Studio 54 nightclub together with the likes of Liza Minnelli, and we'd dance through the night.
When I go into the studio, I'm strictly for business... I don't like any fooling around in the studio.
Good-night! good-night! as we so oft have said Beneath this roof at midnight, in the days That are no more, and shall no more return. Thou hast but taken up thy lamp and gone to bed; I stay a little longer, as one stays To cover up the embers that still burn.
I know when there's lots of stuff racing around in my head it can be hard to sleep and stay asleep. And one of the biggest things that used to keep me awake at night was worrying about my gender and sexuality.
Now I have other demands on my time that are not flexible, I just can't wander into the studio at 2 A.M. like I used to. If I have an idea in the middle of the night, I will go and get the bare bones down, but mostly you can learn to tame it to your needs.
I hate studios. A studio is a black hole. I never use a studio to work. It's very artificial to go to a studio to get new ideas. You have to get new ideas from life, not from the studio. Then you go to the studio to realize the idea.
Italy - I love the late-night culture, hanging around the square at midnight with everyone, catching up and having a drink.
The most calmest place I can be is the studio. And like, I stay in there 'cause I know, when I come out, it's back to reality. Man, if you're angry all day, man, stay in the studio.
I feel like I'm going to get myself into trouble by saying too much. But throughout my 20s, I think a 'Midnight Kiss' game was always a game. You know, go to a party with a couple friends and you look around like, 'Who I want to be my midnight kiss?' It truly is a thought process.
As a kid, the only time I used to get out at night when I was in 9th and 10th standard. The only time I had permission to go out at night was during Navratri because we all used to go play dandiya and garba.
I used to run away to New York from Baltimore all the time. I would get on the Greyhound bus and tell my parents I was going to some sorority weekend... I'd even make up fake permission slips, come to New York, and just ask people on the street if I could stay with them and go see midnight movies.
I used to run away to New York from Baltimore all the time.I would get on the Greyhound bus and tell my parents I was going to some sorority weekend. I'd even make up fake permission slips, come to New York and just ask people on the street if I could stay with them and go see midnight movies.
I know I wasn't allowed to go to fashion school; I can't cut a dress like Galliano, right? But I had enough wherewithal to go to that studio on my first collection and bring Kim, [stylist] Christine Centenera, Ian Connor, Theophilus London, Virgil Abloh...they all came down to [Vetements/Balenciaga designer] Demna Gvasalia's studio that night and hung out.
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