A Quote by Pauline Oliveros
When we had the San Francisco Tape Music Center, we had a couple of Ampex tape machines there, and I could string tape from one machine, past the heads, and over to the next machine to the supply-reel amp, and have another delay there.
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Tape machines are effects boxes as well because each tape machine has its own sound. You can over-load a tape machine or you can bump it a certain way so it compresses or makes a sound, tape saturation.
I had invented my own system, my own way of making electronic music at the San Francisco Tape Music Centre, and I was using what is now referred to as a classical electronic music studio, consisting of tube oscillators and patch bays. There were no mixers or synthesizers. So I managed to figure out how to make the oscillators sing. I used a tape delay system using two tape recorders and stringing the tape between the two tape machines and being able to configure the tracks coming back in different ways.
Maybe I'll start from the initial idea, what motivated me to do that. In 1953, I had access to a tape recorder. Tape recorders were not widely available. There was no cassette tape back then. It was a Sears Roebuck tape machine. I put a microphone in the window and recorded the ambience.
The San Francisco Tape Music Centre was a kind of collective non-profit that my friends and I got started so that we could pool our equipment and make tape music.
All the dialogue on tape, and we'd play the tape in performance. Then I thought it'd be interesting if the actor's repeated what they heard on the tape, but at a slower speed, so we'd get a web of language.
I saw something in the news, so I copied it. I put a piece of tape - I have obviously a laptop, personal laptop - I put a piece of tape over the camera. Because I saw somebody smarter than I am had a piece of tape over their camera.
So, I bought a new CD and I was trying to get it open but couldn't with all the layers... I mean plastic and then tape, and the tape is like government tape. It says 'open here.' Is that sarcasm?
You will have to look at the tape. Actually, you could burn the tape. It's not even worth looking at... We just have to move on to next week. If we just get the next one we will be fine.
Tape with LTFS has several advantages over the other external storage devices it would typically be compared to. First, tape has been designed from Day 1 to be an offline device and to sit on a shelf. An LTFS-formatted LTO-6 tape can store 2.5 TB of uncompressed data and almost 6 TB with compression. That means many data centers could fit their entire data set into a small FedEx box. With LTFS the sending and receiving data centers no longer need to be running the same application to access the data on the tape.
There is, however, one feature that I would like to suggest should be incorporated in the machines, and that is a 'random element.' Each machine should be supplied with a tape bearing a random series of figures, e.g., 0 and 1 in equal quantities, and this series of figures should be used in the choices made by the machine. This would result in the behaviour of the machine not being by any means completely determined by the experiences to which it was subjected, and would have some valuable uses when one was experimenting with it.
Music has brought me some of the highest moments of my life. I don't even hear the music. I don't even hear the notes. I'm not aware that someone has turned on a tape machine - I'm in another world.
But just now, he'd gotten on his knees and proposed marriage, like in a television commercial for a diamond ring. Except of course they had the roll of duct tape instead, which, when you came to think about it, was a far more practical item. Such a bad mistake it would be, to embark on marriage and adult life without a nice supply of duct tape.
Some people record onto tape, and then they pay for the tape, and download those onto a hard drive. Initially in a Pro Tools program. Other people go straight into digital, and use no tape at all.
I couldn't afford to go to the record store to buy new tapes, so I'd tape everything off the radio. Just hit record when my song came on. I used to take my mom's tapes and tape over them. I had a nice little collection. Had my own Stephen Jackson mixtapes off the radio!
[Hank in the Sex Tape] such a fun part. That's how Jake Kasdan and I ended up doing The Grinder together, because we had such a great time on Sex Tape.
What's that sticky stuff called? Basta: Duct tape. Yes, duct tape. I love duct tape.
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