A Quote by Pauline Oliveros
I didn't have any sophisticated equipment at all. The equipment we had in the studio at the time was not intended to make music; it was for testing purposes. So we had to repurpose all the equipment to make music. That made me try a lot of different things.
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In my estimation it was obvious that Jansky had made a fundamental and very important discovery. Furthermore, he had exploited it to the limit of his equipment facilities. If greater progress were to be made it would be necessary to construct new and different equipment especially designed to measure the cosmic static.
Whereas an elephant that was scared to death that diesel powered equipment, equipment that ran on a gas engine, was just fine. Because somebody had attacked it with construction equipment. But if it had a diesel engine, it was bad.
But we made our own fun, mostly. I recall a time, many years later, when American children seemed unable to amuse themselves without a fortune in electrical and electronic equipment. We had no fancy equipment and did not miss it.
I had business experience. I had made my living designing and building electronic equipment. Basic business was not new to me, but the music business was completely new to me. I knew nothing about distribution, or any of those things.
I'm not a big equipment guy; I think that people are a little bit shocked by that. I really don't care about gear in general. I care about people and their intentions to make music - it doesn't matter what equipment you have.
My style hasn't changed much in all these sixty years. I still use, most of the time, existing light and try not to push people around. I have to be as much a diplomat as a photographer. People don't often take me seriously because I carry so little equipment and make so little fuss... I never carried a lot of equipment. My motto has always been, "Keep it simple".
The essence of science is independent thinking, hard work, and not equipment. When I got my Nobel Prize, I had spent hardly 200 rupees on my equipment.
My own fault. The equipment had safeties but your primary piece of protective equipment was your brain. There was a presumption that anyone entering this room was intelligent enough to keep away from hot things, sharp things, and things carrying large stores of momentum.
I had half my family that were farmers, and I was really pretty good at repairing farm equipment. There was certainly a period of time where I would have been happy to do that, just to be a farm equipment repairman in Dalemead, Alberta.
What's important is a great set of objective ears, years of experience and a great room with a true sound. Look at this way: If the equipment in a studio is a high performance car, and the mastering engineer is the driver, putting the car on ice and trying to achieve a good lap time is like trying to master music in a bad room, all the equipment in the world wont help you connect with the music and let you hear what's really happening. The room is the environment in which the mix performs to its potential, as the road is to the car. It's hugely important.
When I graduated college, I had a fairly successful weekly club gig and was buying more studio equipment and writing my own music. I realized I didn't want to work.
There's a value in used electronic equipment, and currently, there are small, domestic recyclers that process this equipment safely. But they have a hard time competing with facilities overseas that have few, if any, environmental and safety standards.
My mother insisted that I pursue music. I rented out my father's musical equipment and earned some money. As a child, I wasn't sure about a career goal, but I was always fascinated by electronic gadgets, specially musical equipment.
Most electronic equipment uses the principle of amplification. You need filters, modulators and mixing equipment which have gain stages. By piling these components up, I was able to work without any sound generators and I made several pieces in that manner.
Your equipment DOES NOT affect the quality of your image. The less time and effort you spend worrying about your equipment the more time and effort you can spend creating great images. The right equipment just makes it easier, faster or more convenient for you to get the results you need.
I love the balls-to-the-walls rule-breaking approach the Beatles had in the studio (which I emulate), although I don't try to make my songs "sound" like their songs. But every time I crank a knob of some piece of equipment, or plug an instrument into the "wrong" amp/effect, I am channeling the Beatles.
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