A Quote by Pauline Oliveros
All the way from the first thing that I can remember, like our Victrola - a wind-up record player - and my grandfather's crystal radio, and my father's shortwave radio.
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I had the little Radio Shack crystal radio, and then my aunt Judy bought me a shortwave radio. It was amazing to me: like on these really clear nights - I lived in Ohio - I could get Texas or Florida. You felt like the world was a smaller place.
Early on, before rock 'n' roll, I listened to big band music - anything that came over the radio - and music played by bands in hotels that our parents could dance to. We had a big radio that looked like a jukebox, with a record player on the top. The radio/record player played 78rpm records. When we moved to that house, there was a record on there, with a red label. It was Bill Monroe, or maybe it was the Stanley Brothers. I'd never heard anything like that before. Ever. And it moved me away from all the conventional music that I was hearing.
Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
I remember when we were mixing our record and our manager was in there going, 'You guys need to sing more, so it can be on the radio.' And we were like 'What? We're never going to get played on the radio. Who cares? What are you talking about?'
I was really amazed when I started hearing 'Songbird' on the radio. I couldn't believe that the record company promotion department had actually convinced radio music directors to play it -because there wasn't anything like it on the radio at the time.
My father being a Caribbean minister, one day I stole the radio. The radio that I stole, I took it to school, showing off how big this boom box was and how bad I was at the time. Once my father figured out where I left the radio, he then got his belt and he walked me, he beat me all the way to where I had hid the radio, and with the boom box.
After my second No. 1, my record company, Warner Brothers, gave me a beautiful present - quite unique at the time - one of the very first Sony stereos which had speaker and radio included so I could record the radio and build up cassette tapes of music, gospel singing, adverts, evangelists.
When radio stations started playing music the record companies started suing radio stations. They thought now that people could listen to music for free, who would want to buy a record in a record shop? But I think we all agree that radio stations are good stuff.
To be honest, the search for a label was really weird, because some of the labels that you wouldn't expect to care about stuff like radio formats were the ones that did care. They were like, 'Yeah, we love this record, but what are we going to play on the radio?' And I was like, 'You don't have bands on the radio.'
We were number one most added at radio, when the single came out and that's much different. It took like eight months for any radio to happen on the first record, so a lot more support has happened right out of the box.
I like radio better than television because if you make a mistake on radio, they don't know. You can make up anything on the radio.
When I first started, it was the real basic stuff that was being played on the radio, so I was into Zeppelin, and Sabbath, and AC/DC, and all stuff like that. I grew up in New York, on Long Island, so the local radio stations played all that kind of thing.
I was born and raised in the Bronx and my grandfather and my brother Garry were huge Yankees fans. One of my first memories is of them listening to a game on the radio and screaming at the radio. My brother would cry when they lost, and when I was really little, I didn't know why he was crying.
That was the big thing when I was growing up, singing on the radio. The extent of my dream was to sing on the radio station in Memphis. Even when I got out of the Air Force in 1954, I came right back to Memphis and started knocking on doors at the radio station.
I still listen to Radio 1. I never really matured or progressed to Radio 2 or even Radio 4, like most of my contemporaries.
The first time I knew what I wanted to do with my life was when I was about four years old. I was listening to an old Victrola, playing a railroad song...I thought that was the most wonderful, amazing thing...That you could take this piece of wax and music would come out of that box. From that day on, I wanted to sing on the radio.
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