A Quote by Paullina Simons

I wish I could spend six years writing one novel. — © Paullina Simons
I wish I could spend six years writing one novel.
Back in my 20s, when I wrote 'A Place of Greater Safety,' the French Revolution novel, I thought, 'I'll always have to write historical novels because I can't do plots.'' But in the six years of writing that novel, I actually learned to write, to invent things.
Back in my 20s, when I wrote 'A Place of Greater Safety,' the French Revolution novel, I thought, 'I'll always have to write historical novels because I can't do plots.' But in the six years of writing that novel, I actually learned to write, to invent things.
My biggest misfortune, my greatest regret, is that I wish I'd cut my time with Clint in half. I wouldn't say I wish I never had the relationship, but I wish I'd found a way - I'd understood who he was, where it would end - five or six years earlier so I could have gotten on with things.
I can ask for a £25,000 advance, but then you spend a year writing the book, and £25,000 is a loan against sales, and you can easily spend five years earning out. So that's £25,000 for six years.
Writing a first novel was an arduous crash course. I learned so much in the six years it took me to write it, mostly technical things pertaining to craft.
In '94, I started writing a novel about an enormous terrorist act that destroyed the United States. The novel takes place twenty years after this destruction, with all the stuff that we're dealing with now - a dirty war, the disappeared, the concept of terrorism. Anyway, 9/11 happened some years into the process, and I was like, OK, I don't have a novel.
People spend a lifetime thinking abouthow they would really like to live. I asked my friends and no one seems to know very clearly. To me, it's very clear now. I wish my life could have been like the years when I was writing 'Love in the Time of Cholera.'
People spend a lifetime thinking about how they would really like to live. I asked my friends and no one seems to know very clearly. To me it's very clear now. I wish my life could have been like the years when I was writing 'Love in the Time of Cholera.'
The dull people decided years and years ago, as everyone knows, that novel-writing was the lowest species of literary exertion, and that novel reading was a dangerous luxury and an utter waste of time.
In terms of a "career," I never have long-term plans, and certainly don't want to spend several years, say, writing a "long" novel.
All that time that we spend tweeting our thoughts and emotions to our next of kin, we could be writing the great American novel, starting a business, or just living.
I had never thought about writing a novel. But I had two young kids, and I realized that if I could write a novel, I could work at home.
From 1976, Judy to 1996, we had six presidential elections. And it was run under the Campaign Finance Reform Act of 1974. In all six of them, every candidate agreed to limits of what he could collect in contributions and what he could spend in seeking a nomination. And they all abided by it.
During the six years I spent writing my novel 'The Incarnations,' I lived in seven cities in four countries. I moved in and out of 17 different houses and flats in Beijing, Seoul, Colorado, Boston, Leeds, Washington D.C., London and Shenzhen.
A novel is a daily labor over a period of years. A novel is a job. But a story can be like a mad, lovely visitor, with whom you spend a rather exciting weekend.
'The Fourth Hand' was a novel that came from twenty years of screenwriting concurrently with whatever novel I'm writing.
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