A Quote by Paulo Coelho
When I had nothing to lose, I had everything. When I stopped being who I am, I found myself.
Related Quotes
When I had nothing more to lose, I was given everything. When I ceased to be who I am, I found myself. When I experienced humiliation and yet kept on walking, I understood that I was free to choose my destiny.
When I started writing full time I had not long stopped being a teacher and when at last I had a full day to write, I would put music on and wonder to myself - am I allowed to do this? Then I thought: 'I am control of this and no one is telling me what I can do.'
I know absolutely nothing about where I'm going. I'm fine with that. I'm happy about it. Before, I had nothing. I had no life, no friends, and no family really, and I didn't really care. I had nothing, and nothing to lose, and then I knew loss. What I cared about was gone; it was all lost. Now I have everything to gain; everything is a clean slate. It's all blank pages waiting to be written on. It's all about going forward. It's all about uncertainty and possibilities.
St. Lucia represents, for me, where I found myself musically once I stopped trying to be cool, in some way, and stopped stopping these guilty pleasure influences I had from coming through.
I heard someone say he [Carl Sandburg] was the kind of writer who had everything to gain and nothing to lose by being translated into another language.
It's not difficult to move forward when you have nothing to lose. Right? At the time, I had nothing to lose. So, even when people were trying to degrade me, I couldn't let them take the only thing I had, which was my dream. I had to move forward and, thank God, I kept trying.
But if you were Charlotte, and you had been feeling that life was some cosmic joke that had no punchline, and in the space of a moment you had gone from being Charlotte-without-a-kitten to being Charlotte-with-a-kitten, you too would have found it nothing short of remarkable.
In the desert I had found a freedom unattainable in civilization; a life unhampered by possessions, since everything that was not a necessity was an encumbrance. I had found too, a comradeship inherent in the circumstances, and the belief that tranquility was to be found there.
I had tried painting, mostly to give myself a greater appreciation of the craft and to inform how I looked at paintings. That led to collaging some of the work I had done on paper, and I found myself mixing in found pieces as well.
By the age of 14, I had stopped doing homework and stopped studying - as soon as I had any spare time, I was up to the local snooker club. I was fortunate my parents never forced me to stop playing snooker and told me to carry on at school. Nowadays, that probably isn't the best advice. I basically had nothing else to fall back on.
I became bold because I had absolutely nothing to lose: neither honors, nor earnings, nor friends. I had to find myself anew and rely only on myself, because I could rely on no one else. My form is my solitude.
We had nothing to lose and everything to gain.
Tereza's mother never stopped reminding her that being a mother meant sacrificing everything. Her words had the ring of truth, backed as they were by the experience of a woman who had lost everything because of her child. Tereza would listen and believe that being a mother was the highest value in life and that being a mother was a great sacrifice. If a mother was Sacrifice personified, then a daughter was Guilt, with no possibility of redress.
I had a history teacher who taught us a lot about the Cold War. You had these examples of countries where the government had tried to manage the economy really intensely, and it ended up being bad for the citizens there. I found myself beginning to lean more right on economic issues.
I had the feeling of slipping down a smooth bottomless pit. It had nothing to do with Breuer and the people. It had nothing to do with Pat even. It was the melancholy secret that reality can arouse desires but never satisfy them; that love begins with a human being but does not end in him; and that everything can be there: a human being, love, happiness, life — and that yet in some terrible way it is always too little, and grows ever less the more it seems.
When I found out that I had won the MacArthur Fellowship, I had been a professor at Carnegie Mellon for a week. I probably shouldn't be saying this on TV, but I stopped worrying about tenure.
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