A Quote by Paulo Coelho

Books are not about messages. I write to understand my soul — © Paulo Coelho
Books are not about messages. I write to understand my soul
It's scary to become a woman in this world. We have to understand that some of the messages we get, messages that we are not enough, are there to keep our power in check. We can't buy into these messages.
Writers of color are given certain messages - explicit or implicit - about what they're allowed to write about or what will be successful if they write about it. And white writers are given another set of implicit and, sometimes, explicit messages.
Writers are troubled about finding time to write and writer's block and publicizing books that aren't books yet. They agonize over how to write and what to write and what not to write.
Screenplays I didn't really care about, journalism, travel books, getting my writer friends to write about their dreams or something. I just determined to write the books I had to write.
If I can write it, I can cope. And I've been writing many books, but in every book, I try to explore something in my own soul that I need to solve, I need to understand.
The people who review my books, generally, are kind of youngish culture writers who aspire to write books, or write opinion pieces about what they think of Neil Young, or why they quit watching ER or whatever. And because of that, I think there's a lot of people who write about my books with the premise of, "Why this guy? Why not me?"
I am beguiled by your physical beauty, and I am moved by how head-over-heels in love with books you are. And nowhere else have I found such thoughtful and literate reportage on the state of the American soul, as that soul makes itself known in the books we write.
We are what we have been told about ourselves. We are the sum of the messages we have received. The true messages. The false messages.
Most books are about aspects of human knowledge - Few people write books about human ignorance, despite the fact that there would be much more to write about
I write romance, women's fiction, chicklit. I think it all fits very comfortably under the same umbrella. Basically, I write books for women - books about relationships, books that make you laugh and sometimes make you cry a little.
People are more likely to search for specific books in which they are actively interested and that justify all of that effort of reading them. Electronic images and sounds, however, thrust themselves into people's environments, and the messages are received with little effort. In a sense, people must go after print messages, but electronic messages reach out and touch people. People will expose themselves to information in electronic media that they would never bother to read about in a book.
There's a variety and depth to the song topics I get to write about in children's music and books: being able to write about things I wouldn't normally write about, like a disappointing pancake, or monsters or opposite day is really different than writing about heartbreak and relationships.
There's a lot of material from my life in my books, but they're not really autobiographical, in the sense that they're not about my life. So, in 'A Feather on the Breath of God' I write about my parents, I write about this Russian immigrant, I write about the world of dance, but it isn't an autobiography; so much is left out.
And it's a necessity [for journalists] to pretend to be competent on every subject, some of which they really do not understand. They are under that necessity, I regret; I'm sorry for them. But to pretend to understand all the things you write about, and habitually to write about things you do not understand, is a very corrupting thing.
The novels I planned to write were never going to be funny books about Jews. They were going to be country house books. Only later on could I write what I knew I was best at writing about.
Live life and write about life. Of the making of many books there is indeed no end, but there are more than enough books about books.
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