A Quote by Paulo Coelho
Don’t bother trying to explain your emotions. Live everything as intensely as you can and keep whatever you felt as a gift from God. The best way to destroy the bridge between the visible and invisible is by trying to explain your emotions.
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I really related to that experience of being what we call the 'bridge generation' and always trying to navigate your more traditional growing-up experiences with wanting the latest Air Jordans or whatever it is: Trying to explain to your parents why, and they just, like, don't get it.
Do not try to explain feelings. Live everything intensely and treasure what you feel as a gift from God.
Negative emotions will challenge your grit every step of the way. While it's impossible not to feel your emotions, it's completely under your power to manage them effectively and to keep yourself in a position of control. When you let your emotions overtake your ability to think clearly, it's easy to lose your resolve.
I felt like I was betraying my family. But I knew that trying to explain my emotions in a movie like this was more important than leaving them unspoken.
Be aware that what you think, to a large extent, creates the emotions that you feel. See the link between your thinking and your emotions. Rather than being your thoughts and emotions, be the awareness behind them.
Willpower is a myth. The problem with trying to use willpower to achieve and sustain a behavioral change is that it is fueled by emotion. And as we all know, our emotions are, at best, fickle. They come and go. When your emotions start running down -- and they will -- even your best-laid plans will fall flat.
Poetry is really about your mental state or intellectual, and where you are, and you're trying to evoke that, explain it to yourself, whatever, you're trying to dig into it, analyse yourself.
Sometimes people think that regulating their emotions means trying to act as if they don't have feelings. But, that's not the case. A realistic view of emotions shows that we're capable of experiencing a wide range of emotions, but we don't have to be controlled by those emotions.
It's hard to explain your emotions when you see a work of art.
The worst thing ever that you have to explain your joke because I was very disappointed trying to explain why the joke is funny for the interrogator.
It is not my intention to explain Turkey, its culture and its problems. My literature has a universal concern: I want to bring people and their emotions closer to my readers, not explain Turkish politics.
I hate it when people try to explain music. The best thing about music is that it's invisible. If you make a song and someone is like, 'Explain it,' and you explain the message, it's like - poof. It all crashes down.
I would then say that there are two kinds of feeling. The first is to feel in the sense of concentrating your emotions on something immediately available for your understanding: you make your understanding out of the emotions you have about it. The second is to feel in the sense of being affected without trying to understand: something is felt, you do not know what, and it is more important to feel it than to try to understand it, since once you try to understand it you no longer feel it.
Trying to explain what community is to someone who's never experienced it is like trying to explain what an artichoke tastes like.
By trying to give an artistic approach through my book I stepped unwillingly into other fields. Like a dentist being asked about a throat ache on a much more relevant scale, I was caught in trying to explain what was unexplainable for me. In the end, trying to explain why it was unexplainable finally led to a huge general insecurity in dealing with the subject at all.
Emotions fascinate me, just being able to express myself through acting. I love that. And I think, in everyday life, you're always trying to repress your emotions. Like if you're sad, you don't want to show it to someone else.
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