A Quote by Paulo Coelho

Never laughing too loudly in a restaurant no matter how good the joke. — © Paulo Coelho
Never laughing too loudly in a restaurant no matter how good the joke.
We must be able to deal with ridicule and scorn, which it always seems that Buddhists receive. But we feel that it doesn't matter. God's laughing at us; God's laughing at God. We can take a joke too. We're pretty funny.
A German joke is no laughing matter.
"Nasty Man" isn't a laughing matter, but you have to laugh anyway. The song, itself, becomes something of a laughing matter because we'd go crazy if we didn't keep laughing.
I think one of my favorite pieces I've ever done on the show which was about Hezbollah Israel conflict in 2006 and it was very pointed. It was a beautifully crafted piece of satire and it's a weird thing to say but it had a joke in there about 9/11 and I remember the audience sort of laughing but also kind of not knowing how to respond to that joke and it was just so - and I remember the tension after we did this joke on the air and there was this palpable gasp in the audience, but they were also laughing. And I thought oh, wow, that is something that is not being said in the Zeitgeist.
I don't want to alienate anybody. If you're making a joke about men and men are laughing at it, it's a good joke.
I enjoy watching a woman with really bad teeth and a good sense of humor struggling to use her lips and tongue to hide her teeth when she's laughing. I just stand there and tell her joke after joke after joke.
No matter what I do on the baseball field, no matter how hard I try to be a good player, no matter how hard I try to be a good father or a good husband, I can never do enough. I can never be perfect in this world. But God's there to tell me that it's not what you do, it's whom you believe in and it's Him loving me.
I'm someone who'd never base how happy I am on how much money I have, or how good a restaurant is because of how posh it is.
What you never want to do is have a story that doesn't track emotionally, because then you're going joke to joke and you're going to fatigue the audience. The only thing that's going to string them to the next joke is how successful the previous joke is.
Our story is never written in isolation. We do not act in a one-man play. We can do nothing that does not affect other people, no matter how loudly we say, "It's my own business.
Twitter is a good medium to lean how to write jokes. It pushes you to write a better joke in that, on Twitter, the first joke about something has already happened. You need to think of the second joke and the third joke.
[When] you're dying laughing because your three-year-old made a fart joke, it doesn't matter what else is going on. That's real happiness.
The joke is that no matter how much we think we can evolve, we'll never escape our limitations.
We met in the summer or fall of 2001. I had never met Kate [DiCamillo], though I'd heard her name, and I think she knew of me too. We were laughing within a few minutes, I mean really, furiously, laughing. So we were off to a good start.
The amount of energy spent laughing at a joke should be directly proportional to the hierarchical status of the joke teller.
I hate to say 'chain restaurant,' but we're sort of a corporation now. How do we defy that concept, where people assume each restaurant can't be good?
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