A Quote by Paulo Coelho
A writer always wears glasses and never combs his hair. Half the time he feels angry about everything and the other half depressed. He spends most of his life in bars, arguing with other dishevelled, bespectacled writers. He says very 'deep' things. He always has amazing ideas for the plot of his next novel, and hates the one he has just published.
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A man spends the first half of his life learning habits that shorten the other half.
He slouched back in his seat, looking tired, and leaned his face on his shoulder to look at me while he played with my hair. He started to hum a song, and then, after a few bars, he sang it. Quietly, sort of half-sung, half-spoken, incredibly gentle. I didn’t catch all the words, but it was about his summer girl. Me. Maybe his forever girl. His yellow eyes were half-lidded as he sang, and in that golden moment, hanging taut in the middle of an icecovered landscape like a single bubble of summer nectar, I could see how my life could be stretched out in front of me.
Man's Unhappiness, as I construe, comes of his Greatness; it is because there is an Infinite in him, with which all his cunning he cannot quite bury under the Finite... Try him with half of a Universe, of an Omnipotence, he sets to quarreling with the proprietor of the other half, and declares himself the most maltreated of men. Always there is a black spot in our sunshine: It is even, as I said, the Shadow of Ourselves.
Superman looks exactly the same when he puts his glasses on and combs his hair... And everyone acts like it's someone else. I don't buy it. Batman has a proper disguise.
Mads is such a talented actor - it's almost like he wears his emotions on his sleeve, but not all the time - when he decides that he needs to, he has such access to his emotional life and it is just really incredible. He can do everything with just his eyes.
So that the life of a writer, whatever he might fancy to the contrary, was not so much a state of composition, as a state of warfare; and his probation in it, precisely that of any other man militant upon earth,--both depending alike, not half so much upon the degrees of his WIT--as his RESISTANCE.
The hours of a wise man are lengthened by his ideas, as those of a fool are by his passions. The time of the one is long, because he does not know what to do with it; so is that of the other, because he distinguishes every moment of it with useful or amusing thoughts--or, in other words, because the one is always wishing it away, and the other always enjoying it.
A writer is, after all, only half his book. The other half is the reader and from the reader the writer learns.
I wish I could remember where I put things. I spend half my life looking for my keys. With the other half I look for my glasses.
At present, man applies to nature but half his force. He works on the world with his understanding alone. He lives in it, and masters it by a penny-wisdom; and he that works most in it, is but a half-man, and whilst his arms are strong and his digestion good, his mind is imbruted, and he is a selfish savage.
By his very profession, a serious fiction writer is a vendor of the sensuous particulars of life, a perceiver and handler of things. His most valuable tools are his sense and his memory; what happens in his mind is primarily pictures.
Human beings consider themselves satisfied only compared to some other condition. A man who has owned nothing but a bicycle all of his life feels suddenly wealthy the moment he buys an automobile...But this happy sensation wears off. After a while the car becomes just another thing that he owns. Moreover, when his neighbor next door buys two cars, in an instant our man feels wretchedly poor and deprived.
With a bit of luck, his life was ruined forever. Always thinking that just behind some narrow door in all of his favorite bars, men in red woolen shirts are getting incredible kicks from things he’ll never know.
I say never trust a man who combs his hair so as to cover his shiny dome and then flaunts a wife young enough to be his daughter. Oh, Trump has issues all right.
I usually write very few stage directions. I think a lot of that is a waste of time. The art of screenwriting is in its terseness, saying a lot with a little. I have no patience when I read a script where the writer describes this guy and what he's wearing and his glasses and his hair.
And I honor the man who is willing to sink half his present repute for the freedom to think, and, when he has thought, be his cause strong or weak, Will risk t' other half for the freedom to speak.
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