A Quote by Paulo Coelho

The end of one stage is only the beginning of another. Any dangers overcome are the necessary preparation to do better in the next stage. — © Paulo Coelho
The end of one stage is only the beginning of another. Any dangers overcome are the necessary preparation to do better in the next stage.
The normative theoretical claim that a higher stage is philosophically a better stage is one necessary part of a psychological explanation of sequential stage movement.
In my opinion, the only way to conquer stage fright is to get up on stage and play. Every time you play another show, it gets better and better.
Somebody has to be on stage, and some people have to be in the audience. That's the only difference. Don't put any thought as to why you are on the stage or how you need to be 'better' than the people in the audience. You aren't better. You're simply the speaker.
We are fast approaching the stage of the ultimate inversion: the stage where the government is free to do anything it pleases, while the citizens may act only by permission; which is the stage of the darkest periods of human history, the stage of rule by brute force.
For me, someone like the Eddie Murphy character doesn't live anywhere; he lives on a stage and when he's not on the stage he's on a bus getting to the next stage. You don't really want to see him at home, or all those things you can do in the movie.
You should not do this, Comrade. We are only in the introductory stage yet, here in Western Europe. And in that stage it is better to encourage the fighters than the rulers.
My goal was always to get better roles, and in my case, performing on stage really led to great opportunities. My breakthrough came when I did Calder Willingham's 'End as a Man' on stage and was spotted by Max Arnow, who'd been the casting chief for Columbia.
An interesting difference between new and experienced stage managers is that the new stage manager thinks of running the show as the most difficult and most demanding part of the job, whereas the experienced stage manager thinks of it as the most relaxing part. Perhaps the reason is that experienced stage managers have built up work habits that make then so thoroughly prepared for the production phase that they [can] sit back during performances to watch that preparation pay off.
For every fresh stage in our lives we need a fresh education, and there is no stage for which so little educational preparation is made as that which follows the reproductive period.
I put my life in danger every time I do some of these demonstrations, whether it's in the audience hanging upside down or on the stage. We now have a lot of dangerous stunts where anything can go wrong. In fact, I have fallen two stories and landed on the stage, so I am well aware of the dangers.
It is necessary to correct the error that vegetarianism has made us weak in mind, or passive or inert in action. I do not regard flesh-food as necessary at any stage
I may demonstrate the various stages of making a loaf on stage, but they don't end up in the final product I lift out of the oven at the end. If it were real food preparation, I'd wear a hair net, a hat, and rubber gloves - not a pretty sight.
I think what's different about working on stage is that you have another chance to portray it again. If you don't get something right on film, you can do another take, but on stage, once it's done, it's done. You can't go back.
A lot of people think the Breakfast for Children program is charity. But what does it do? It takes the people from a stage to another stage. Any program that's revolutionary is an advancing program. Revolution is change.
I started off on stage because it was the only work I could get. I haven't been back for 11 years. I think any stage experience is good experience, as far as being an actor is concerned.
It was like Mama suddenly realized I was good, that she didn't have to apologize for me. It was the strangest feeling. One minute I was on stage with my mother, the next moment I was on stage with Judy Garland. One minute she smiled at me, and the next minute she was like the lioness that owned the stage and suddenly found somebody invading her territory. The killer instinct of a performer had come out in her.
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