A Quote by Paulo Coelho
Know how to get close to it: mountains are often seen from far off - beautiful, interesting, full of challenges. But what happens when we try to draw closer? Roads run all around them, flowers grow between you and your objective, what seemed so clear on the map is tough in real life. So try all the paths and all the tracks until eventually one day you're standing in front of the top that you yearn to reach.
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Life is full of tough decisions, and nothing makes them easy. But the worst ones are really your personal koans, and tormenting ambivalence is just the sense of satori rising. Try, trust, try, and trust again, and eventually you'll feel your mind change its focus to a new level of understanding.
Every day of my life it feels as if I'm
fighting my way up an escalator that only goes down.
And no matter how fast or how hard I run to try to reach the top, I stay in
the same place, sprinting, getting nowhere.
["All the paths of the Lord are mercy and truth unto such as keep his covenant."] The original Hebrew word that has been translated "paths" means "well-worn roads' or "wheel tracks," such ruts as wagons make when they go down our green roads in wet weather and sink in up to the axles. God's ways are at times like heavy wagon tracks that cut deep into our souls, yet all of them are merciful.
Writing a novel in general is like trying to reach a mountain top you'll never quite reach - so you try again and maybe get a little closer.
We always have the movies that are more toward real life, but they don't have that much drama or suspense, or we have the full of drama or suspense, but they're far away from real life. Always when I was watching a film, films with good drama, I was thinking, "I wish they were more close to real life." But when I was watching real life films I was thinking, "Well I wish it had more drama." I've tried, in the movies that I worked so far, to get these two things closer and closer to each other.
The truth is that I am in love with Dublin. I think it is the most beautiful town that I have ever seen, mountains at the back and the sea in front, and long roads winding through decaying suburbs and beautiful woods.
To have an opportunity to get in front of a camera every single day is just priceless because it gets you closer and closer to being less self-consciousness in front of it and really being human and really making choices and standing by them.
At some point I realized that you don't get a full human life if you try to cut off one end of it, that you need to agree to the entire experience, to the full spectrum of what happens.
At some point, I realized that you don't get a full human life if you try to cut off one end of it; that you need to agree to the entire experience, to the full spectrum of what happens.
Sometimes there's this balance: if you try to clear 10 things you'll probably get lucky and be able to clear most of them, or all of them; try to clear 20 things, in my mind there's gonna be at least one issue, maybe two - and then that's when it starts getting into either re-recording stuff, or you've got to take that song off.
Performing isn't only about the acrobatics and the high notes: It's staying in the moment, connecting with the audience in an authentic way, and making yourself real to them through the music. I am more than the notes I hit, and that's how I try to approach my life. You can't get it all right all the time, but you can try your best. If you've done that, all that's left is to accept your shortcomings and have the courage to try to overcome them.
On a clear day, rise and look around you, and you'll see who you are.
On a clear day, how it will astound you
That the glow of your feelings outshines every star.
You will follow every mountain, sea and shore,
You will see from far and near a world you've never seen before.
On a clear day, on a clear day, you can see forever, and ever, and ever more.
If your life is cloudy and you're far, far off course, you may have to go on faith for a while, but eventually you'll learn that every time you trust your internal navigation system, you end up closer to your right life.
I've been acting a long time, and I can play a Cockney gangster or a womanizer in my sleep or standing on my head. But what I try to do is I try to find characters that are as far away from me as I possibly can and then make them real. A French Nazi is about as far away from me as I can possibly get without actually going to Mars or something.
My life is about my journey, and your life is about your journey. You are completely unqualified to draw my map, and I am completely unqualified to draw yours. I hope you'll let me know all about the path you've found, so that I may judge it for myself against my own path, and have the freedom to choose between the two. But please don't try and drag me from my path on to yours, and I will be sure to return the favor.
Whenever I try to map things out they inevitably change. Which doesn't mean I don't map them out ? I just try to embrace the better ideas that come along as my fingers are flying around the keyboard mid-draft!
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