I was Versace's muse, I was Valentino's muse, I was Alaia's muse, Lancetti's muse, Calvin Klein's, Halston's. I could go on and on.
The concept of muse is alien to me. To speak of a muse implies there is a couple in which one person is the objectified passive element - there to help the creative, active, often male part of the duo to create. A muse is very passive. Who wants a muse? I don't want a muse.
I don't like men who treat women like arm candies. He should treat me like an equal or better. And then he should be a good human being. He should see the human side of things. I like men who stand up for what's right and who don't cheat.
It's not like that when you're a songwriter - songwriters aren't like pulp writers or journalists, even. You just follow the muse. It's called muse-ic. Whenever the muse decides to bestow her inspiration on the songwriter, then the song is born.
Most people assume that a muse is a creature of perfect beauty, poise and grace. Like the creatures from Greek mythology. They're wrong. In fact, there should be a marked absence of perfection in a muse--a gaping hole between what she is and what she might be. The ideal muse is a woman whose rough edges and contradictions drive you to fill in the blanks of her character. She is the irritant to your creativity. A remarkable possibility, waiting to be formed.
We should not treat people as they treat us, we should treat them better.
The artist who chooses the difficult muse; or only has a difficult muse; should not be surprised with the results.
In what terms should we think of these beings, nonhuman yet possessing so very many human-like characteristics? How should we treat them? Surely we should treat them with the same consideration and kindness as we show to other humans; and as we recognize human rights, so too should we recognize the rights of the great apes? Yes.
Football is like a religion to me. I worship the ball, and I treat it like a god. Too many players think of a football as something to kick. They should be taught to caress it and to treat it like a precious gem.
The muse is not an angelic voice that sits on your shoulder and sings sweetly. The muse is the most annoying whine. The muse isn't hard to find, just hard to like - she follows you everywhere, tapping you on the shoulder, demanding that you stop doing whatever else you might be doing and pay attention to her.
I wake up in the morning, or the middle of the night when an idea comes through. My songwriting style, basically I just write down information given to me from the muse and how that works for songwriters. Record the muse and the muse delivers.
It inspired all sorts of whims and fancies that I ultimately wove into a fairy tale complete with muse, the earth, the moon, some famous inventors, a dog and a rabbit.
In the fairy tale the painting represents the here and now. The book is actually divided into five sections, through which the key character, the muse, leads us.
I wish somebody had given me the news that ideas don't just fall on your head like fairy dust. You have to treat that like a job. You have to spend hours each day, where you're just like, 'This is the part of the day when I'm looking for an idea.'
It could have been like a fairy tale. But fairy tales aren't real. Things don't work like that. There's a price for everything.
I'm a fairy. I'd come and hear, "How was your day, honey?" And I'd be like, "I was a fairy. I don't know."