A Quote by Paulo Costanzo
There are certain scripts that are just written in a way where, for whatever reason, I read it, and instantly that inspiration hit me and it was just kind of electric, and I didn't have to think about it. It just kind of went from there.
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I just check my Instagram. I get a lot of inspiration from there, I follow a lot of different designers and not really people in particular, just kind of designers and shops, certain stores that I love and just kind of draw inspiration from there and bookmark them.
I see so few scripts just because, for whatever reason, there just aren't that many good scripts with a young, teenaged girl. So it's always been sporadic. People don't know what to do when writing a story with teens that takes place now - they think you have to make a bunch of references to Facebook.
I feel like the books were just written like a movie. You read it and you can just kind of see everything. Before I went in to read with the director, I read the first book and I loved it. I didn't realize how good the writing was. And then I went in and read with Gary Ross, and that was it.
I don't want to just be an athlete. I kind of obsess on that sometimes. I don't want my son to be reading, oh, 'disappointment, just a scorer, selfish, didn't win enough, never quite the best' -- whatever. I want to be bigger than that. I want to shape my own destiny instead of just having him read about whatever on the back page.
There's a certain kind of motion and pacing that our music has, and this just doesn't have that. We just kind of rushed to the conclusion of most of the songs. I just would've preferred to done them over.
I believe that things kind of happen for a reason. But at the same time my real mission is just to continue working in the movie business with the scripts I enjoy, characters that challenge me and people that I admire. It's such a great business when you're in it and the ability to do things that even surprise you is continually evident. For me, it's just about challenging myself - that's the biggest thing - and taking care of my child and paying my bills.
Acting isn't something that I think about very consciously, somehow that just doesn't work for me. I just kind of feel my way into it.
I'm kind of lucky in the fact that I can take something that's in my head and write it down, or I can listen to a piece of music that somebody else has written and try to tap into what the music's saying and just kind of follow that, you know. I mean, nine times out of 10, I'm just kind of following where the music takes me.
But I think what Liam said just kind of hit it spot on, that the people in the capital are brainwashed and such a disconnect with what's actually happening. They don't realize what if it was their kids that were being put into the games? They just don't have the mindset to have that kind of compassion for people.
I think I probably am doing animation because I started as a kid and I learned on my own, and I worked by myself a lot. It's the only thing I really prepared myself to do in any kind of depth. And I've just kind of imbibed the technology and techniques and the thinking about telling stories this way. It just feels natural to me.
I think when I was a young person, there was just kind of - there was very little dialogue about it. And there was just kind of one way to be gay, right? You saw very effeminate guys. You saw very butch women. And there was no kind of in-between. And there was no - you know, there wasn't anything in the media. There wasn't anything on television.
Whatever I'm working on, the character I'm playing tends to slowly bleed into my own real life. Not in any kind of creepy, Method actor-y kind of way - it's just an innate kind of merging.
The interesting thing about the Beatles was: The music was one thing, but we kind of symbolized a certain kind of freedom at a time when people of our generation were just growing up and just becoming adults.
I was kind of burned out, a little jaded, and just sort of disillusioned by all the 'Mighty Duck' movies and everything just being about making money and not really caring about scripts anymore.
I wish it was clear for me how it happened [stop writing songs], then maybe I could start writing again. But it's kind of an "it." It just submerged itself. Because the way I had always written was just that it came out. It just happened.
A part of me is a liberal New Yorker involved in politics and certain attitudes about movies. I kind of lost my indie credibility over 'Mr. and Mrs. Smith.' I know I haven't lost it. I just have to go make an independent movie. I just have to do it. Just for me.
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