A Quote by Pauly Shore
When you're onstage, it's important to try and feel some type of therapy in getting the material out, because then you don't leave the stage so tired. If you're onstage and you're doing the same routine over and over, then it gets monotonous. You want to be able to try to get to the truth constantly, and I think the more you do that, the easier it is.
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I think my body makes itself tired so I don't have the energy to do anything else beforehand. I do jump around a lot on stage, so I guess my body's like, "You are tired now!" As soon as I get onstage the adrenaline takes over. It's a useful mechanism.
I try my jokes onstage. The only way to really find out if something is going to work is to try it on stage, and I try to be careful and bookend something new with a strong bit before and a strong bit afterwards. But it's fun to run on virgin snow. I like that feeling onstage of creating new footprints and not knowing what's going to happen.
Of course, much easier to do a film when you're doing an extremely emotional part than it is doing it onstage over and over especially.
I'm always looking for a chance to do something different. I don't necessarily want to repeat myself, at any time, and I don't want to just do the same guy, over and over and over again. I want to be able to do different things and to evolve and constantly try to find those roles.
Figure out a way to get back onstage because once you do it a few times you'll get over it. Unless it's like a clinical thing. I don't know about clinical like stage fright, that might be worse than what I'm talking about. But if it's normal stage fright get over it.
It's important for Ross and I to try stuff and not feel like we're doing the same thing over and over again.
If I am not able to execute my plans, then I feel I am not up to the mark and there has been a mistake on my part. Then I try to keep a cool head and try to do it all over again.
What I get on a yoga mat, and from a yoga teacher, has been more beneficial onstage than any other workshop I've ever done. And it starts with that breath; it starts with getting out of my head and really just slowing the system down and being in a true present moment with each and every breath. That then allows me to be a more balanced and focused individual onstage.
I think it's important to have confidence, but then it's also important to try to try something new, to leave your comfort zone to try to grow. That's why I'm trying to grow as an artist and trying to figure out what kind of artist I want to be.
As long as I don't go onstage completely normal and then jump into character onstage, I assume that most fans would be able to accept me as the creator. I can comment on the work the same way a director would on his movie.
I used to do more melodic stuff, and I used to do more actual rap - like traditional hip hop vocals. I think my method of storytelling has led me to this point, at which I want to pare down my style. I think I give the lyrics more thought, and then when I try to perform the lyrics over the track I'll try it over and over again, and eventually the lyrics will sink into the track by the way I project them.
If I'm doing some weird tick with my mouth, or not standing still or something, I'll be the first person to notice it, and then want to change that. I think it's important just to maintain trajectory, to not just use your same tricks over and over.
The first time I got a chance to meet Michael was onstage at Madison Square Garden. There were tons of people on the stage, and I just remember losing my mind. Like, Oh my God, that's Michael Jackson right there. I was just over his right shoulder. And then when I finally got a chance to get on the stage with him, I was just shut down. He had the type of magic that you just bowed to. I just said, "I love you, and I know you've heard it a million and one times from fans all over the world, but you've meant so much to me as an entertainer, and I love you, and I've admired you all these years.
I think the more people you add on stage, the more locked it things become. Whereas fewer members on stage gets the audience to notice any small idiosyncrasy or unique moment that one of the three people onstage is having. It also means that mistakes are accentuated, but to good affect generally if you are that type of band.
I don't really have any kind of rigorous or definite routine before I go onstage. I like to eat at least an hour or two before I go on. If I can't do that, I just wait until after. I try and drink lots of water before I go onstage.
I write all over the house. Because I write in longhand, I can go anywhere I want... I have some notebooks here and there, and then I type it in and pull it out, and I do the revisions all over the place.
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