A Quote by Pauly Shore
I become friends with people in each city who can show me around. Like if someone came to Los Angeles they wouldn't really know where to go, so they'd have to call me up and then I'd show them around.
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So when this opportunity came up through Elisabeth Murdoch and her company Shine, to be an executive producer and actually be part of the show, I liked the idea because I like the word mentor. I don't want to judge someone. I like sharing my knowledge with my girls, and anything they ask me I'll try to do to help them. Any of my real friends who know me, know that's how I really am.
I like being from a city that is not entrenched in show business. When you're in New York City or Los Angeles, even if you're not dealing with show business, there's still this sense that it's the center of the universe.
When you put yourself out there as an expert and the people you are trying to attract are people who want to do the very show you are doing, guys standing around, sitting around arguing with each other over sports, if you make a mistake that lights up like a flare in the middle of the night. You've just got to correct that or else they're going to say, 'Well, why do these dopes have that show? I can go out there and be just as good as them.'
I'm like this mercenary actor going from show to show - people love to hire me, but then don't want me around much.
It's very difficult for me to travel now without music just because I'm so spoiled. It's a huge luxury to go and play your music for all these people around the world and having come up to you in a special way - they really want to show your their city, or really want to show you where they are from. If you are just traveling, you don't get that same welcome.
I didn't even know what Chikara was... So I show up at the show, and I'm expecting a normal wrestling show... there's like a f#%ing dude in a dinosaur outfit walking around, and there was a stipulaton that someone would be sent back in time... Not that I disliked it or anything, I was just like, what the hell is going on.
There is this incredible, indelible community that has sprung up around the show, a community that gathers in homes and clubs, from Los Angeles to Topeka, Kansas and around the world. A community that, in some places, meets quietly in a lesbian bar that doesn't even exist depending on whom you ask.
I've never gotten over what they call stagefright. I go through it every show. I'm pretty concerned, I'm pretty much thinking about the show. I never get completely comfortable with it, and I don't let the people around me get comfortable with it, in that I remind them that it's a new crowd out there, it's a new audience, and they haven't seen us before. So it's got to be like the first time we go on.
The first time I performed at the Comedy Store in Los Angeles, I was in the back of the room doing vocal exercises. 'Me-me-me, my-my-my, mo-mo-mo.' And I'm looking around, and no one else is doing it. I'm like, 'They must have done it before they came to the club.' I came to realize that I was an idiot.
You know who first started calling me 'The Cowboy' - Paul Richards. He loved to play golf and when he came to Los Angeles he used to call me up and I'd arrange for him to play at Lakeside and when he saw me, he always called me 'Cowboy' and everybody else in baseball picked it up.
I'll be in, like, Starbucks or something and I'll say my order and someone will snap their head around and go, 'Whaat, Alaska?! Hieeee!' I find it nice because I can be alone in a strange city where I don't know where I am, and then if a fan runs into me I feel like I am among friends and family.
When someone says to me, do you do stand-up I say absolutely not. I like to think of it as a theatrical performance. With me the show changes maybe five to ten percent every night. Of course, whatever I see in front of me and sometimes I get on a little run about it and it changes the show. And my delivery is such that people who have seen me many times say Gee, I never heard that before. Actually, they have, but I might have changed it around.
In 1983, I was working at an art gallery in Los Angeles and going to film school at Los Angeles City College. At that time, Jean-Michel Basquiat was a young painter and was visiting L.A. for his first show at the Larry Gagosian Gallery.
It's pretty interesting how it all started out. After The Voice, I got introduced to some of my publishing people. We were out in Los Angeles and they said to give them a call when the show was all said and done and they'd get me into the writing world.
Right now I am kicking around an idea to do a web talk show on a boat. Guests would come on and go fishing with me. I would like to take people who have never fished: You get them out on the water and they really open up.
Chicago is seriously my favorite city in the country. People have roots here, which is nice. When you go to Los Angeles, no one is actually from Los Angeles.
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