A Quote by Pauly Shore
You have to go away to come back. That's just normal. That's with bands, actors, comedians, everything.
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I guess the way to keep a grip on reality is just to take breaks in between albums like most normal bands do. Go home and be a person and hang out with your friends. Do separate things and get back to earth and write songs and go out there again.
I think that all actors find they go down and then they come back up if you work on your craft. They come back up to the top and then they go back down and they come back up and they go back down.
I try to stay with it and I try to stay in contact with comedians and just keep comedians in my life 'cause comedians are their own species. If you get away from them, especially as a comedian, I think it's dangerous.
I have to take care of the house, and the dogs, and the Macondo Board meetings, all those e-mails, the letters that are going to fans. And you've got to pay bills. These things eat up your time. You have to prepare and pack to go on that trip. Then when you come back you have to file all that stuff, answer all that mail, and that's not even washing the clothes or any of that. So it takes as many days as I've been away to come back to normal and to get quiet.
Normal people - i.e., people who aren't actors - are the most bizarre people you can ever come across. I'll talk to someone and come away thinking, 'They are clinically insane.'
I always wanted to be an actor, even when I was a little kid. When I used to run away from home, I'd go to movies and sit all night watching Kirk Douglas. When I was 16, I tried getting into the Actors Studio, and they told me to get lost. I said 'I'll come back when I'm a man,' and I came back when I was 30.
I remember hearing, back in the day, so-and-so got a deal, and bands are spending the money. Some of them live in the old days, where money is coming in and budgets are endless, but bands have to pay that back. Some bands just don't realize that.
I'm not one of those artists that can go away for six months and tour America and have 20 producers back in London or L.A. doing everything for me and I just come home and sing on it. It would be really useful, in terms of speed, to work like that. I just wouldn't find it creatively satisfying. I have to have my hand on the remote control.
There will come a day when a person would be willing to give everything they ever loved, everything they ever owned, everything they ever chased in this life, everything between the heavens and earth...just for the chance to come back here and make just one sajdah (prostration). Just one.
When bands come from that underground scene and go into the mainstream, people just hate it. And it blows my mind. If you're saying you don't like what pop culture is, then change it. And when someone does make an effort to change it, everyone rebels against it and hates it. You can't win. People just want that division to exist. They don't want that division to go away.
Everything comes back around. You never thought Louis Vuitton and Gucci and all that other stuff would come back. You know what I mean? And now it's one of the highest brands there is out. Everything just comes right back into circulation. Baggy jeans might come back out again. Might be a while, but they might.
People imagine that actors are being offered everything and you are not. So things come in and sometimes there are things that I want and can't get a meeting on, or go to a different actors.
When you look at bands like Take That, who have come back bigger than ever, you can see there will always be a market for good pop bands.
Why is it that the producers can do anything and get away with it, and the actors are held accountable for everything? The makers often stop actors' payments, too. Everything is in their favour in the contract.
Comedians work great as actors because they're good under pressure. With a lot of actors, you have to make them feel like everything's going really well to get a good performance out of them. But, if you have a comedian on the set, you can tell them, 'Hey, you really are screwing this up,' and then they just get better.
Imagine a music business where all the music press talked about, all day long, was cover bands of old rock and pop groups. Beatles cover bands, Rolling Stones cover bands, The Who cover bands, Led Zeppelin cover bands. Cover bands, cover bands, everywhere you go.
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