A Quote by Pauly Shore

I was one of the first veejays to take the camera out on location, and that's what was unique about MTV at that time. — © Pauly Shore
I was one of the first veejays to take the camera out on location, and that's what was unique about MTV at that time.
I love MTV. I watched 'Beavis and Butthead,' 'Wayne's World,' 'Yo! MTV Raps.' And they used to have music videos on there. When I got the chance to be on MTV, I took the first opportunity.
McLeod's Daughters was my first regular job out of drama school, and my first full-time role. That was great because I learned a lot, in terms of working in front of the camera. I learned a lot of technical aspects that you take for granted once you know them, but you have to learn them somewhere, along the way. It was a bit of a training ground for me, working in front of the camera and also dealing with media.
We shot on location in our very first weeks, in our very first shows. I would like to go on location again, Hawaii would be good!! But normally, we tape five days a week in the studio starting at about 8:00 a.m. and continuing until about 8:00 p.m.
Basically, with a regular camera, you have to take time or allow the camera to focus before you take the shot.
I had my first flower stall when I was seven, at the end of the drive in Minehead, Somerset. Nobody was stopping so I moved it to my neighbour's drive, because I thought: 'Location, location, location.' It worked.
First and foremost, my hats off to our directors and camera department. That is something I will miss after Longmire. I can't imagine working on another show that looks like this. We'll get the whole crew out on location and have a hundred people standing around, waiting for about 40 minutes, so that sun is just a little bit further in the sky and the light is hitting the cloud, in the perfect way.
MTV Awards are fun - it's MTV! You never know what's going to happen. It's a slice of pop culture in the moment, and you can't take it too seriously.
Mr. Breton didn't know about location, location, location.
I had wanted to place the Eye-in-the-Sea at an oasis on the bottom of the ocean, in some site rich with life that was likely to be patrolled by large predators. The first time I got to test the camera at such a place was in 2004, in the north end of the Gulf of Mexico, at an amazing location called the brine pool.
I don't want to carry big things around with me. I'm lazy. The snapshot camera, you just carry it around and take the picture. You don't need to think about anything. People in the street are not going to wait for you with a big camera. They would freak out. With a snapshot camera, they are comfortable.
I wouldn't say that I was ever a fan of MTV. I was a guy on MTV. I don't think I was ever in the demographic of people who watch MTV. I never really watched MTV, so I'm definitely not a fan of 'Jersey Shore' or anything.
My first pictures are from 1972, and my first proper camera dates back to 1973. During the first year I used my father's camera. It had a flash on it, which I don't like, but I didn't know anything about photography back then, so it was just what I did.
When I was nine, I asked my Dad, ‘Can I have your movie camera? That old, wind-up 8-millimeter movie camera that’s in your drawer?’ And he goes, ‘Sure, take it.’ And I took it, and I started making movies with it, and I started being as creative as I could, and never once in my life did my parents ever say, ’ What you’re doing is a waste of time.’ Never….. I know there are kids out there that don’t have that support system. So, if you’re out there and you’re listening, listen to me: If you wanna be creative, get out there and do it. It’s not a waste of time.
I don't roam around with a camera and never did. I took pictures in spurts, for my books, for some assignments or on special occasions. Like people who take out their cameras for Christmas and birthdays. Each time, like them, probably, I feel it’s the first time and as if I would have to relearn the moves. Luckily, it comes pretty fast, like riding a bike.
Mahakumbh' has a very unique concept and I was certain to take it up when I heard the script for the first time.
McLeod's Daughters' was my first regular job out of drama school, and my first full-time role. That was great because I learned a lot, in terms of working in front of the camera.
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