A Quote by Pauly Shore

My 20s were a time where I made it; my 30s were when I was away, confused, and trying to figure it all out. — © Pauly Shore
My 20s were a time where I made it; my 30s were when I was away, confused, and trying to figure it all out.
I know that sounds so circular, but for you, what you were made to do, is different than what I was made to do. But instead of spending all of our time having Bible studies about what we were made to do, go do stuff and you'll figure out what you were made to do, because you'll be great at some things and you'll be terrible at others.
I think what people were trying with me was to figure out who I was. They thought I was funny, but they were like, "How can we use this guy so he can regularly do this?" Does that make any sense? I think people were trying to figure out if my fat peg would fit in their square hole.
My 20s were gone, my 30s were recovery, my 40s is where I am self-sufficient.
When you were growing up in the 30s, 20s, of course the 40s, all black people at least in the Washington, D.C., area were required to live among themselves.
I never considered myself an Americana artist, but I'm a huge fan of old-time music from the States, the recordings that were made in the '20s and '30s. Trying to chase down the exact stylistic trappings of that stuff always felt like a dead end. That spirit of directness and economy, but also the poetic pungency of the writing and almost ugly, or raw, performance - all that seemed like the real message. I've just tried to somehow stay true to that feeling.
I spent a lot of my 20s just trying to make other people happy, rather than trying to figure out if doing that made me happy.
I spent my 30s figuring out how to be a grown up, I guess. I loved my 30s! My 30s were really about being happy with what I was doing.
And I can't tell you how many women from a certain age group - they would be in their 30s now, 20s and 30s - tell me about how I was their role model when they were young girls.
The best episodes of 'The West Wing' that dealt with policy and stuff, in my opinion, were the ones where they were in the middle of a crisis, and they were trying to figure out how to solve problems.
The other thing that I got back then - the Parker novels have never had much of anything to do with race. There have been a few black characters here and there, but the first batch of books back then, I got a lot of letters from urban black guys in their 20s, 30s, 40s. What were they seeing that they were reacting to? And I think I finally figured it out - at that time, they were guys who felt very excluded from society, that they had been rejected by the greater American world.
When I went to college in 1988, most people were probably trying to figure out how they were going to decorate their rooms, who was going to be on their floor, what classes they were going to take. My big preoccupation at that point was figuring out how I could get my absentee ballot so that I could vote in Ohio for Michael Dukakis at that time.
And my life for the first - you know, when I was in my 20s and 30s, I had my career, and I traveled the world, I lived out of a suitcase. I stayed up until dawn. I did all of those things that were very exciting.
Members that were in their early-20s are now in their mid-30s, so the style of our team should also change.
We all would shudder if what we did, no matter what, in our 20s and early 30s were publicly displayed on a national stage.
If Broadway musicals were as popular as they were in the 20s, 30s, and 40s, then people like Sufjan Stevens and Iron & Wine would be writing for Broadway, which would be amazing. As it stands, it's the worst stuff that's mired in pop music.
There was a time in my late teens and early 20s where I was motivated by this wanting to get out, to prove to the world that I had something to offer - that kind of youthful spirit, where maybe I had my eye on fame and fortune. I mellowed out in my late 20s and now that I'm in my early 30s, I'm coming to peace with it.
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