A Quote by Payal Rohatgi
I won't say that I dream of playing etched characters like Meena Kumari's in 'Pakeezah.' Though I have seen the film 20 times but you can't compete with something as classic as that.
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My all time favourite films - one is 'Mary Poppins,' and the other one is 'Pakeezah.' 'Pakeezah' was an Indian film. The beauty of 'Pakeezah' was that it had a soundtrack which was pure poetry.
When 'Sahib Bibi... ' was being cast, I wanted to do Chhoti Bahu's role, but Meena Kumari had been cast. So I didn't think I would be part of the film.
My whole thing is that often times when teenagers are about 18, 19, 20, 21, they get this mentality that they have to be old, they have to appear older, they can no longer be seen as a high schooler, they need to be seen as mid-20s all of a sudden, even though they're only, like, 20.
My whole thing is that often times when teenagers are about 18, 19, 20, 21, they get this mentality that they have to be old, they have to appear older, they can no longer be seen as a high schooler, they need to be seen as mid-20s all of a sudden even though they're only, like, 20. I'm the opposite of that.
For 'Sahib Bibi Aur Ghulam,' Guru Duttji wanted to cast Shashi Kapoor in the role of Bhootnath. However, Guru Duttji wanted bulk dates from Shashiji because he had already built a huge set and had acquired Meena Kumari's dates. Shashiji couldn't spare the required dates even though he was still a newcomer.
I'd love to do a noir. I think Steve McQueen is so cool. But a classic film is a classic film, and perhaps the fantasy of being those characters should be left alone. You're treading on very thin ice.
Fortunately, we have writers who very much respect the classic characters and the integrity of the classic characters, that are also terrific comedy writers and are able to put these classic characters in new and interesting, and quite funny situations for today.
The Goonies' is classic. That's, like, the movie I bring with me if I go out of town for a long time, because it just makes me think of the best times I've seen it with my friends growing up. Dude, everybody knows that movie, everybody watches that film. Best family film ever made.
'The Goonies' is classic. That's, like, the movie I bring with me if I go out of town for a long time, because it just makes me think of the best times I've seen it with my friends growing up. Dude, everybody knows that movie, everybody watches that film. Best family film ever made.
Any script, even like The Founder, if it's something that I imagine myself playing this character or that character - any of the characters, basically - how do we flesh these characters out to be good enough to have amazing actors that come in that make it really difficult for them to say no? Even though I'm not right for any of those parts, that's just kind of how we go about it.
As a biracial girl growing up in England, I'd never really seen any historical characters who looked like me depicted on film before that weren't being brutalized or playing slaves.
It makes it very easy. I have a beginning, middle, and end, and I don't film for long - about 20 hours usually for a two-hour film - so it's easily watchable in a week for me and the editor. Once I know who the characters are, I only film those characters, unless somebody else forces their way into the film by a scene happening to them or we meet them by chance.
I have always been a fan of Kajol Ma'am. The way she portrayed Zooni's character in 'Fanaa' is etched in my memory. I have watched the film several times, and each time I have learnt something new from her performance.
You can be 19 or 20 and playing reserve team football, be able to say 'I played at,' say, 'Manchester United,' even though you have no actual first team appearances. But there are 19- and 20-year-olds at League Two level with 100 appearances under their belts. I know which one I'd rather be.
I would love to just continue playing characters that break the mold. I like making interesting decisions when playing characters, so, taking something that would seem one way and then playing it a different way.
But what I thought, and what I still think, and always will, is that she saw me. Nobody else has ever seen me — me, Jenny Gluckstein — like that. Not my parents, not Julian, not even Meena. Love is one thing — recognition is something else.
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