A Quote by Payal Rohatgi
When I joined Bollywood, I too wanted decent and challenging roles but there were no offers. Directors and producers look at me as a woman who is willing to expose and that is the only reason they want to sign me.
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It wasn't because of Striker's bad performance that I didn't sign any film in Bollywood. There wasn't much to do in Bollywood, and the offers weren't great too.
Roles came to me. I was very, very lucky in that respect. Great directors, great writers, great producers - they saw something in me that they wanted for their picture or their play or whatever it was, whether it was Edward Albee or whether it was - or Peter Hall, directors. They would come to me, thank God. I was lucky. Lucky, lucky, lucky.
Bollywood offers great opportunities to actors who are willing to try out different kinds of roles.
I don't want to get confined to only regional cinema as I want to exploit my potential. I want to perform challenging roles in a much more complex sphere like Bollywood.
I had to beg to get out of my contract with Capitol. They wanted me to work with big producers. I wanted to produce my music, and they weren't having that. I'm sure they were happy to let me go. I just didn't want to do what they wanted me to do.
I had people in 'Entertainment Weekly' talking about how they wanted to throttle me because they thought I was too disgustingly cute, as if that were my fault, you know, as if that was my fault, not the fault of directors and producers and such.
I wanted to look cute, hot and sexy all at the same time in 'Bigg Boss!' How else will the Bollywood producers cast me in their films as the lead actress?
People often ask me why I don't take up more heroine-oriented roles. My question is, 'Where are these roles?' I really appreciate actresses who sign only films with meaty roles. However, there aren't too many of them. The industry is simply male-dominated.
I think when I first started acting there were different people who I thought, 'I want that person's career or that person's career.' And as time has gone on, it's become really clear to me what is important to me; getting the best roles, the roles that I feel are challenging and scary and that I haven't done yet.
After the release of 'Ashta Chemm,' several producers and directors came with similar roles in their films. But I doesn't want to do stereo type roles and do something different for each film, and refused them.
I wanted to play characters that were going to make me better and really challenge me to raise my skill level up or that were just interesting to me personally. I want to be the best actor I can be, and I want to be the most creative actor I can be. I want to take on roles that will move the chain to where I finally want to go.
I am not an established name in Bollywood and hence I can't call the shots. In Kolkata, I have proved myself and am in a position in the industry where directors and producers easily listen to me.
In terms of directors, great actors make directors - Gary Oldman was great to work with, for me; Tim Roth, too. You work with Scorsese and Spielberg and they were wonderful directors, but for me, working with actor/directors is special.
I am tired of kissing on screen. I have to do it because it is synonymous with me. Also, the producers and directors want to add that element. I don't give it too much importance.
I knew at the time that that wasn't the part I would be doing, they just wanted a screentest so they could have a look at it to show to the directors and producers. Then they wrote a part for me or maybe they already had it in mind, I don't know.
I love America. I eagerly became a citizen. I have no bitterness toward those casting directors who dismissed me because of my accent, nor toward the producers and directors who wanted to cast me but thought the audience wouldn't accept my accent. I think they're selling their audience short.
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