A Quote by Peaches Geldof

A lot of paparazzi wanted to be real photographers but they failed, and they did that instead, and it's not right; it's stalking. — © Peaches Geldof
A lot of paparazzi wanted to be real photographers but they failed, and they did that instead, and it's not right; it's stalking.
Physically stalking as opposed to Instagram stalking, which was kind of great. Leila [from Fifty Shades Darker ] puts my Insta stalking into perspective.
The celebrity-making machine-photographers, paparazzi, press and stuff like that-can be ruthless.
There weren't paparazzi standing outside. There weren't all these photographers. People really didn't know what fashion was and what was happening in the tents.
When The Cranberries got really big in Ireland, it became difficult for me to be there with all the photographers and paparazzi.
I've never had that much trouble with the paparazzi, but I don't run the same circles that a lot of these people that do get hounded by the paparazzi.
I take seriously the concerns that voters are expressing. There's a lot of disappointment, fear, even anger, among people who believe that the economy has failed them, their government has failed them, politics has failed them. They have every right to be concerned.
Today, the paparazzi are not just photographers: everyone has a cell phone with a camera. If they see an actor, they click pictures to show it to their friends or have it on their phones and, as an actor, I don't see anything wrong with it. Having said that, there is a limit that has been crossed, but there is nothing right or wrong.
I think the paparazzi are absolutely ridiculous. When we were filming, there was a lot of them. It's different being in L.A., where there are so many celebrities. But, when it was in Vancouver, it was all about the film, so there was paparazzi following us. It's just part of the business.
I decided to start a YouTube channel a while ago and it kind of failed because I stopped posting and forgot about it. So a few years later I decided I wanted to make one for real with a team behind me. So that's what I did and I love it!
She thinks, I failed twice. If I failed twice I'm going to fail forever. No! That is not the law of life. If you failed twice that means you can learn. It's just a learning experience. It's an obstacle. An imaginary obstacle. She made it real. She made failing a journey of life... Instead do again and make a journey of your life.
A photographer's main instrument is his eyes. Strange as it may seem, many photographers choose to use the eyes of another photographer, past or present, instead of their own. Those photographers are blind.
I failed eating, failed drinking, failed not cutting myself into shreds. Failed friendship. Failed sisterhood and daughterhood. Failed mirrors and scales and phone calls. Good thing I'm stable.
Rex has photographers around the world - it's a higher touch business: there are a lot of relationships involved. If you throw an event, there are certain photographers you've worked with before and you want there.
If an ordinary person parks outside another ordinary person's house for a week, it's considered stalking. If, however, that person is considered newsworthy, it's perfectly legal for paparazzi to do the same thing.
I wanted to go to acting school, and I did a few modeling jobs to pay for acting school. I never aspired to be a model. I met lots of photographers, and I learned a lot about light - as a source of love and illumination, light as a gift of love. On film, that's a massive contribution.
Of course, for me Naked Lunch was the big one, but I still believe I was right to pass on that. James Grauerholz and Barry Miles did an important job with their 2003 "Restored" edition because they knew what they wanted to do, and what they could do. At the time, I simply didn't know. I hadn't even edited Junky back then. So I did the right thing to pass. Instead, what I most want to do now is complete "The Making of Naked Lunch," on which I have been working, on and off, these past 25 years.
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