A Quote by Pearl Bailey
My kitchen is a mystical place, a kind of temple for me. It is a place where
the surfaces seem to have significance, where the sounds and odors carry
meaning that transfers from the past and bridges to the future.
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People have responded to the pictures I make as mystical things, and they somehow carry the illusion further thinking that the place is this mystical, magical place. The desert is also a very barren place, a very lonely place, a very boring, uneventful place.
The place I like best in this world is the kitchen. No matter where it is, no matter what kind, if it’s a kitchen, if it’s a place where they make food, it’s fine with me. Ideally it should be well broken in. Lots of tea towels, dry and immaculate. Where tile catching the light (ting! Ting!)” (p. 3).
I feel like I'm dropping such a long way down again." "I seem to be dropping into a cold dark wet place, where no one's been before and noone can every follow. There's no future there; just a past that sometimes fools you into thinking it's the future. It's the most alone place you can ever be and, when you go there, you not only cease to exist in real life, you also cease to exist in their consciousness and in their memories.
And there is also the paradox that the dominating culture imbues the Indian past with great meaning and significance; it is valued more because it is seen as part of the past. And it is the romantic past, not the present, that holds meaning and spiritual significance for so many members of the dominating culture. It has seemed so strange to me that the larger culture, with its own absence of spirit and lack of attachment for the land, respects these very things about Indian traditions, without adopting those respected ways themselves.
I'm very interested in buildings that have meaning for a particular place. I suppose it feels slightly rude to me if the imposed style that lands in a place is almost stronger than the place. For me it's about inventing a solution for each place; if people then want to know who did it, then great.
Factually, the Temple Mount is the precise location of the Temple. It's the holiest place in the world for Jews. It's the third holiest place for Muslims. And we need to respect each others' rights, freedom of religion.
Everybody needs a place they can go to rest, sheltered from the past and the future. A place you can live one moment at a time.
Two of the vital pillars that sustain Father in Heaven’s plan of happiness are marriage and the family. Their lofty significance is underscored by Satan’s relentless efforts to splinter the family and to undermine the significance of temple ordinances, which bind the family together for eternity. The temple sealing has greater meaning as life unfolds. It will help you draw ever closer together and find greater joy and fulfillment in mortality.
Italy will start the future. Because in the last 20, 20 years, Italy discussed only about the past. "Oh, the past is wonderful in Italy." Look, look Palazzo Vecchio. The most beautiful place in the world, in my opinion, I think this is incredible place. But the past is not sufficient. Is not enough. We need the future. Because we are Italians. And Italy is not only a museum.
From morning till night, sounds drift from the kitchen, most of them familiar and comforting. . . . On days when warmth is the most important need of the human heart, the kitchen is the place you can find it; it dries the wet sock, it cools the hot little brain.
To excite in us tastes, odors, and sounds I believe that nothing is required in external bodies except shapes, numbers, and slow or rapid movements. ... if ears, tongues, and noses were removed, shapes and numbers and motions would remain, but not odors or tastes or sounds.
We lived in Yorkville, which is located on the East End of Manhattan. It's further east than Hell's Kitchen, and back then it was the kind of place where the roaches and cockroaches were big enough to carry away small children.
Venice is a place where the past is still hanging around, waiting for an appointment with the future; but the future hasn't shown up. In the meantime it is a kind of no man's land, given up by default and occupied by irregulars and their dogs.
How I'd like to start a new life in a distant land. Not because of racism or politics. But to be in a place that I knew hardly anything about, in a place where I wouldn't even care to know the prime minister's name. A place where names and faces would have no meaning for me.
Action can only be understood in relation to place; only by staying in place can the imagination conceive or understand action in terms of consequence, of cause and effect. The meaning of action in time is inseparable from its meaning in place.
I'm always looking for poetry's place in the prose. For that moment, let's say, that arrests time, or that sentence in which the musical matrix or trope, the sounds of the words arranged in a way that heightens perception, a tunefulness that more clearly defines and transfers the feeling I'm after to the reader.
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