A Quote by Pearl Cleage

I think it's hard to make a living as a writer, but I think it's hard to work at McDonald's too.... I think the commitment is to get up everyday and say, "I'm a writer, therefore what I'm supposed to do today is write." And to do that, and to do that and to do that.
The writer’s job is to write with rigor, with commitment, to defend what they believe with all the talent they have. I think that’s part of the moral obligation of a writer, which cannot be only purely artistic. I think a writer has some kind of responsibility at least to participate in the civic debate. I think literature is impoverished, if it becomes cut from the main agenda of people, of society, of life.
It's not possible to advise a young writer because every young writer is so different. You might say, "Read," but a writer can read too much and be paralyzed. Or, "Don't read, don't think, just write," and the result could be a mountain of drivel. If you're going to be a writer you'll probably take a lot of wrong turns and then one day just end up writing something you have to write, then getting it better and better just because you want it to be better, and even when you get old and think, "There must be something else people do," you won't be able to quit.
Writer-directors are a little bit more liberal, rather than having just the writer on the set, because I think sometimes the writer becomes too precious with the words. If you're a writer-director, you can see what you're doing and see your work in action, so I think you can correct it right there and still not compromise yourself.
I say "on principle" [regarding 'lesbian writer'] because whenever you get one of your minority labels applied, like "Irish Writer," "Canadian Writer," "Woman Writer," "Lesbian Writer" - any of those categories - you always slightly wince because you're afraid that people will think that means you're only going to write about Canada or Ireland, you know.
After you publish a book, you become a writer and you're supposed to take it very seriously. You're supposed to show up at your desk - although frankly, I don't have a desk, I write in bed - you're supposed to show up at your bed and produce work. I think it's a little bit like work. I like to have fun with it, do things like make silly book trailers. I don't want to take this too seriously.
I think that if you have a knack for storytelling, and you work really hard at it, you'll have a chance to tap into something deep. But the fact remains that good sentences are hard won. Any writer worth a lick knows constructing a sentence, a paragraph, or a chapter is hard work.
I think that very often younger writers don't appreciate how much hard work is involved in writing. The part of writing that's magic is the thinnest rind on the world of creation. Most of a writer's life is just work. It happens to be a kind of work that the writer finds fulfilling in the same way that a watchmaker can happily spend countless hours fiddling over the tiny cogs and bits of wire. ... I think the people who end up being writers are people who don't get bored doing that kind of tight focus in small areas.
It's not possible to advise a young writer because every young writer is so different. You might say, 'Read,' but a writer can read too much and be paralyzed. Or, 'Don't read, don't think, just write,' and the result could be a mountain of drivel.
I write a lot and I will have some originals on the record. I think it is a mistake for an artist like me to think I am a better writer than Cole Porter. I think it is important to realize what my strengths are. I do like to write and I'm not shabby but I don't think I'm the most brilliant writer. I think it would be a shame and sort so egotistical to say I don't need these wonderful writers. These men created works of art and wrote hundreds of beautiful songs. It would be a mistake for me to say at this point in my career that I am so good.
There's this message to comedians in particular, that you shouldn't write it, and a television writer should write it. And that's a prevailing conventional wisdom that I think is really wrong. That's not to say that television writers aren't great, but I think that the belief that some comedy writer's going to be able to capture your voice is naive.
I think the one reason that writers marry other writers - one of the reasons that I married another writer - was, I fell in love with that writer. But second of all, I had been married before and a source of marital strife was me needing to go away for a couple of weeks to write or it's Saturday and I think I just need to work today and not hang out with you.
You have to work hard to get to the top of your game. I think every writer has doubts! I still do all the time.
My wife has been incredibly supportive of me as a writer. Trying really hard to make sure I get the space and time I need to work as a writer and being willing to make some of the sacrifices that you have to make to live the life of an artist.
I think I'm a very lazy writer and by that I mean that I do not battle, I don't struggle too hard against it. If I have difficulties in the writing, I just go and do other things. I don't feel a compulsion to write.
I don't think I ever have trouble with writer's block. It's different when you make it up as you go - that means you're going to get stuck. I wouldn't call it writer's block, I'd say, "I don't know where the hell this story is going."
You can accomplish amazing things with this if you have a passion and you work hard - I just think it’s a cop out to say 'I wasn’t born with this, so it’s OK if I fail'. You can make up the difference with hard work and devotion.
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