A Quote by Pearl S. Buck

doing and being are very closely tied together, and unless you are doing what you secretly want to do, you aren't able to be the sort of person you want to be. — © Pearl S. Buck
doing and being are very closely tied together, and unless you are doing what you secretly want to do, you aren't able to be the sort of person you want to be.
I was trying to find ways of not being pigeon-holed like that. I didn't want to be tied down by my accent. I wanted to play Americans. I don't want to ever be doing the same thing twice, and I just didn't want to repeat myself.
I want to be doing something that I love and actually being able to feed myself by doing it.
Let's stop all of this foolishness and come together as a people or we will deserve the chastisement of God that is about to come down. Especially on the rich and the professional well-educated Black person who could make a way in the desert for our people, but you're so tied to your slavemasters and their children. You don't want to leave them nor do you want to lead your people into doing something for self. We're at the end of it now.
One big disturbance, I think, between L.A. and New York is that New York is so condensed and together that it's very hard to be private there. There's a lot of constant interchange, people know what you're doing all the time. Here in L.A. it's the opposite, it's very spread out, unless you make a conscious effort to go someplace and look at something, you don't see it and we hear about it. So in that sense, it's a city where you can be very anonymous if you want to be, or even if you don't want to be.
To me, I will be a stronger person if I'm moving forward, doing the work I want, and continue to drive: force the purpose that I want to create versus doing what other people think I should be doing, which is never a way to live.
I just don't really listen to music. I'm probably missing out, but I don't want to know what everybody else is doing. Nobody is strong enough to not be influenced. And I don't mean influenced by copying - I'd be influenced because I wouldn't want to do what someone else is doing. I want to be able to do whatever I feel like doing and not worry about anything.
I'm able to be very effective because I'm not a Democrat, I'm not a Republican. So, I'm not tied, and I'd never want to be tied to anything, to some constituency that I would have to answer to.
Suddenly, I don't want to be this person anymore. I don't want to pretend I'm fooling the world when I'm not. I want someone else to have a plan for me, because I'm not doing a very good job myself.
True freedom is not about being able to do whatever we feel like doing; rather, it is about being able to do what we truly want to do, in spite of what we feel like doing at the moment.
Dr. King said, 'We are all tied together in a garment of mutual destiny.' Which says to me no matter how well I may be doing in Hollywood, if a young brother or sister in Louisiana, the South Bronx, the South Side of Chicago, South Central Los Angeles - is not doing well, then I'm not doing very well.
Being able to do lead roles in pictures or onstage or whatever it is that you're doing in acting is obviously what you strive for because you want to better yourself as an actor and you want to better yourself as a person as well. But that does come with a lot of responsibility and a great deal of weight.
Part of what being a great founder is, is being both able to hold the belief, to think about where it is you want to be doing and want to be going, but also be smart enough that you are essentially listening to criticism, negative feedback, competitive entries.
I'm friends with a lot of influencers, and I'm very supportive. They want to come in and do what I'm doing, and I want to branch out to what they're doing.
I could never really imagine myself doing one thing, and I'm pretty sure that I'll end up doing four or five different things. I want to be a Renaissance woman. I want to paint, and I want to write, and I want to act, and I want to just do everything.
Acting is always sort of the same - like you want to be - you know you're pretending and you want to make it as real as you can. That's the similarity. The mediums other than that are completely different. I mean you know with camera work you're doing really small detailed work and you know if you do anything too big you've sort of failed. And with stage, especially with the play I'm doing right now, I'm doing a farce, and it's so over the top that you can't actually be too big. So it's just completely different.
There's no point in it unless it's a story that you really want to tell. It's a nebulous job. Unless you're doing it well, you're not doing anything. And there are a few of those. It's perfectly possible to be a passenger on a film set because if somebody else has written it, you can make nothing of that role and that's exactly what bad directors do.
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