A Quote by Pedro Capo
This song 'Calma' has been a blessing, an unexpected one. When I wrote the song, I wasn't looking for a single, I never thought I was gonna have a world hit in my hands. I was connecting with my childhood.
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I wrote 'Lights' a long, long time ago. And I expected it to be on the album, because it was - I wrote it with 'Biff' Stannard. And he wrote every single Spice Girls song and every single pop song of the 90s, basically. So I thought, you know, I was really lucky to work with him, but I didn't think it would be a big song for some reason.
I don't ever have the pressure of making a hit, because I've never had a hit song, per se. The closest thing to a hit song was 'Shiraz,' and it's not your prototypical hit song, with a catchy hook and all this other stuff.
I sang my song called "In This Song." David Foster wrote the song for me. I thought that I should sing a ballad song.
'Creeping Death' - that was a special song for me as a kid, because that was the one that every single Jewish kid thought, 'Oh, Metallica wrote a song for us. He wrote it about the exodus of the Jews from Egypt under slavery.'
When you're like, 'Yo, we gotta write a hit song, we need a hit song right now,' that never works. Every time that happens, I never write a hit song.
Hearing that Alicia Keys liked the song, and wanted to join us on 'Calma' is an honor and blessing that really transcends what I can put into words. She's one of the most talented artists in the world, and someoneI've respected her for a long time.
'Something More' is a song that I wrote not necessarily about country radio, more so about a lot of songs that were being pitched to me. I wrote that after song after song after song was just the same song, just a different melody, so I was just looking for something more to put on the record.
It was a song I wrote for my wife as a present, never intending for it to be a Styx song. 'Babe' was a demo. The demo became the hit record, including all the background vocals, which were done by me.
We have this song called 'Radio,' and I wrote that song when we needed one more song for a record. So I went back into the other room and wrote it in 20 minutes.
I'm not the kind of writer that goes, 'I'm gonna write a song about sunshine,' or, 'I've just heard a phrase, so I'm gonna write that,' and then I write a song. I'll wait for inspiration to hit, and you can't depend on it.
You end up throwing a ton of energy into one or two tracks, and the song that we thought was gonna be the single isn't the single.
For Valentine's Day, I wrote my crush a song and had it professionally recorded. I never released it, though, because I wanted it to be a song just for her. I thought it would be more special that way.
Solace is my favorite song. It was the last song we wrote for the record. It was right when we really started to mesh as far as music goes and we started really connecting with each other.
There's a song called 'All We'd Ever Need,' which is actually the first song that the three of us wrote together on our first album, and when we wrote that song I didn't have any real experience to pull from.
'Carbs' is the first song I wrote, and 'I Wanna Boi' is the second song I wrote. I am very proud of every song I made since then. Anything I'm not proud of I wouldn't show people.
'Sally' is just a song that I wrote talking to my alter ego. When I write, I don't really consciously say, 'This is what I've been going through in my life, and I'm gonna put this into words.' It's just a song that I kinda went in and did. Then, listening back to it, I realized, 'I'm talking to myself.'
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