A Quote by Pedro Meyer
At certain moments of intense personal grief, capturing images was for me the only way to comprehend later what was happening.
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Light is my inspiration. My photographic images search for dimensions that words cannot touch- the result of intense responses to personal experiences. I do not wish to "record," but rather to touch upon the illusive meanings which I perceive and try to comprehend in this limitless universe.
The final product becomes a passionate reflection of all that was revealed to me about my subjects during intense moments of personal clarity.
We think we have to be a certain way because we have been taught to be a certain way. Actually the only truth is to keep quiet and see what happens from there. When I feel ill-tempered, when I feel sad, when I feel distant, it's just something that is happening. When I don't compare it to the past and project it into the future, then it's just something that is happening now. It's a way of dying now.
Well, I do think, particularly the way I work, the better images occur when you're moving to the fringes of your own understanding. That's where self-doubt and risk taking are likely to occur. It's when you trust what's happening at a non-intellectual non-conscious level that you can produce work that later resonates, often in a way that you can't articulate a response to.
I learned to read but not to comprehend, and that might well have stood me in good stead, because what's there to understand, really? Everything I later learned to understand was unspeakably ugly anyway. In time, I bought some rulebooks and squeezed my way onto the honor roll, but, decades later, I've been pointed toward people described as "actively dying" who only now and then seemed to be going about it friskily.There was mostly no hustle I could notice.
Even if it is only for a matter of moments, because those moments bring with them a Love so intense that it justifies the rest of our days.
I don't invent anything. I imagine everything... most of the time, I have drawn my images from the daily life around me. I think that it is by capturing reality in the humblest, most sincere, most everyday way I can, that I can penetrate to the extraordinary.
There are many situations in life where we don't think while behaving in a certain way. Then there are instances which leads to the realization that maybe this is happening because you had behaved in a certain way. This thought at times is self liberating, according to me.
The images for my works are somewhat insignificant to me. It became an exercise of variation. I only see the surface images as doodles in a sketchbook, but it's hard to not see an image and bring some kind of personal association, though there's not a prescribed idea of what you're supposed to see.
What Warcollier demonstrated is compatible with what modern cognitive neuroscience has learned about how visual images are constructed by the brain. It implies that telepathic perceptions bubble up into awareness from the unconscious and are probably processed in the brain in the same way that we generate images in dreams. And thus telepathic “images” are far less certain than sensory-driven images and subject to distortion.
I don't like that we repeat a certain expression over and over again because I think it narrows the way that we look on the world. I also think that there is a certain responsibility if you work with moving images because it's so strong in creating behaviour; it's so strong in creating the way that we look on the world, so for me it's very important that I create images that I have an experience of or is something that I think exists in the world and not just in cinema.
Only about one per cent of my paintings show family members. Do they help me deal with problems? It's likely that these problems can only be depicted. But photographs, private ones and others, keep appearing that fascinate me so much that I want to paint them. And sometimes the real meaning these images have for me only becomes apparent later.
I think there are always phases in life when things get intense or difficult, whether it's the sheer volume of work or personal circumstances. And I've definitely had tough moments. The way I approach them is just to tell myself that this, too, will pass, and take it one day at a time.
It's been really important to me to create moments where there's a breath or moments where there's a laugh or moments where there's real life that's allowed to seep in through the cracks of whatever melodrama is happening, because that's what does happen in life.
I think a lot of times, especially for certain stories, photographers travel together for safety reasons, and they also invariably cross paths. But you could have 10 photographers shooting together in the same spot but capturing different images.
If only I had more money is the easiest way to postpone the intense self-examination and decision-making necessary to create a life of enjoyment - now and not later.
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