A Quote by Pedro Noguera
Teaching in Providence and Oakland, I realized that the first thing is that it wasn't good enough to come in and assume that I had what my students needed in terms of knowledge and skills. I also had to show them that I was their ally. I had to show them that I was concerned about them, wanted to relate to them, and that I was fundamentally on their side.
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We wanted to impress the crowd so much. The city has done so much for us and welcomed us right in, and we just wanted to give them a good show and show them that we're going to play for them. I think guys just had a little bit of jitters.
There are people who look up to me, but the young Muslim kids, especially in Germany, they also need those closest to them to show them a good path, give them targets in their life. I grew up with a lot of these kids and they didn't have the support I had from my family or friends. Not just in terms of football, but everything else.
Teaching I realized took up a lot of my time. I was a kind of a teacher that spent time with students, spoke to them after class, tried to help them out. I'd talk with them personally about their work and try to get out of them what they were thinking about, forcing them to thinking seriously and not just falling back on all the ideas that they had picked up someplace. And so I took my job teaching very seriously and that - as a result, it took up a lot of time.
First I wanted to be a veterinarian. And then I realized you had to give them shots to put them to sleep, so I decided I'd just buy a bunch of animals and have them in my house instead.
I don't want people at my shows to come out and say, 'I just saw a cool show.' I want them to say, 'I had fun at the show.' I want it to be a collaborative thing and be part of the audience and have them be part of me. I try to interact with everyone there and have them be equal to me because they are.
The biggest lesson I've learned from my children is to look in the mirror at myself, not at them. I've realized that everything I've done has had an impact on them. We have to understand that they are like little paparazzi. They take our picture when we don't want them to and then they show it to us in their behavior.
Also, it was a cultural moment that wasn't being represented in terms of women who were successful and had choices they didn't have before. They needed a show that they can watch that they felt like represented them.
There's a common problem: if a kid is not good at exams, they often think they are not skilled. Yet many of them do have the skills employers are looking for - but often we don't show them that, or teach them how to develop them, or celebrate them.
As the three of them walked home from the trees, nobody needed to say it, but Ama knew. They had questioned their friendship. They had searched and wondered, looking for a sign. And all along they'd had their trees. You couldn't wear them. You couldn't pass them around. They offered no fashion advantage. But they had roots. They lived.
I've had students at Yale: my main task with them in drama school was not helping them with their writing but showing them how valuable they were. Because they're ready to give it up and go into teaching or television.
I look at some of my fans at my show, and a lot of them look like they're straight out of a punk rock show. They like what I'm coming across with. I had seen them same thing when I went to this Scarface show, so it lets me know that I'm on the right track.
We were not having any fun, he had recently begun pointing out. I would take exception (didn't we do this, didn't we do that) but I had also known what he meant. He meant doing things not because we were expected to do them or had always done them or should do them but because we wanted to do them. He meant wanting. He meant living.
I took a look at my own life and realized that I was overinvesting in my kids. I realized that I had to get out of the way and let them be who they wanted to be, not what I wanted them to be.
I have a very close friend who is a brilliant clown, and I always wanted to do a show with him. So I did one year at La MaMa Theatre. I had not done stilts before that show, and I had about two weeks to learn how to do that, and they were just made with off-off Broadway money. The ones that I had in Rogue One were made by [Industrial Light & Magic]. So they were really easy. They were made with actual prosthetic feet on the bottom. They were athletic, in a way. I could run in them. There was a bounce to them that I could use.
The first fashion show I ever attended was for Ritu Beri in 1997 or 1998. I think that was the first time Ritu had designed for one of my movies 'Yeh Raastein Hain Pyaar Ke.' She had done a show in Paris, and she had done the same show in Delhi. It was very eclectic, and I love the way she combines colours and makes them flamboyant.
I first realized I wanted to model when my mum and I were at a local carnival, and she took me to a fashion show. I had never been to one before, and when I saw the girls on the catwalk, I fell in love with them.
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