A Quote by Pedro Winter
The great thing about the electronic music scene is that everybody can be part of it either by dancing, DJing, or organizing a party.
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The best part about DJing a fashion show after-party or event is being able to correlate the emotions of the collection with music, just as you would for a show.
If I'm DJing a show, I will normally wear the designer I'm DJing for; if I'm DJing a party, I will most likely be wearing very high heels.
It's very strange how electronic music formatted itself and forgot that its roots are about the surprise, freedom, and the acceptance of every race, gender, and style of music into this big party. Instead, it started to become this electronic lifestyle which also involved the glorification of technology.
In some ways it's hard to see electronic music as a genre because the word "electronic" just refers to how it's made. Hip-hop is electronic music. Most reggae is electronic. Pop is electronic. House music, techno, all these sorts of ostensibly disparate genres are sort of being created with the same equipment.
A documentary on MTV about the Dutch scene was what sparked it all. I saw guys like Tiesto and Ferry Corsten talking about this thing called electronic music and I was instantly hooked. I started getting into it from then onwards, I was 12 years old and just completely bitten by this dance music bug. It's been my life ever since.
I came out of an electronic music scene that based all its music on software. It was a real boys thing, a real testosterone thing - software and the relationship between music and the software - to the point where it was like a closely guarded secret.
I'm trying to fly the flag for the days of electronic music where people who are making it are also building the gear because that was what was happening in the very early days of electronic music. And that spirit is one of the things that really appeals to me about electronic music so I'm putting this forward as a way to keep that.
It is captivating, isn't it? England has such a great scene of electronic music, and I think that was very prominent in Pusher, and the nightlife was the beat of the film. I feel what is really great about Pusher is that it wasn't about drugs and guns and strippers. That was just all circumstantial. I felt like it was really about people and how decisions and circumstances can change relationships. Something just happens. Everything changes for a reason.
It's true that we come from the electronic scene in the '90s, but maybe just two years before that we were not listening to electronic music. We like music in general, and maybe we're more close to the rock energy or the rock aesthetic.
The place of electronic music, culturally and socially, is today completely different - it is now everywhere, and it has been totally accepted. Consequently, there is now a younger generation that is more focused on making great electronic music, good parties, and having fun, where there is not any more so much need for cultural and ideological statements in electronic music itself.
I am an indie kid. I made no bones about the fact that I fell into DJing electronic music by accident, by a lucky break, but it doesn't make me any less of a fan of that music, I just never envisaged... not through a lack of confidence or belief, I just didn't think that I'd be sharing the bill with people that I was going out to see myself.
When the movie's done, you talk about either the score or source music over a particular scene, what might work. You just throw a piece of music over the scene, and we both listen to it.
When I moved to London, I was working on music - producing, writing - and that's where I discovered DJing. I started partying every night because I just needed to dance and enjoy music and forget about things, and that's when I started to notice DJing is the best job in the world. I honestly believed I could do it very well.
There's a great club in London called The Secret Sundays, and it's on a Sunday afternoon and it's outdoors, and it's mainly Italians that go, and they all look great, and they're dancing on the tables, and life's a party, and they're totally into the music, going mental, and that's when dance music is really fantastic, I think.
I could create music that sounded as strange as any electronic music, because you see, my opinion about electronic music is that the real composer is the guy who invented the instrument. Pressing buttons is not composing. Composing is about creating something.
The good thing, really, is that electronic music started as a fringe subculture, and now it's the biggest youth culture in the world. People pretty much everywhere go crazy for electronic music.
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