A Quote by Peggy Fleming

Then came the choreography... the impact of music and choreography tends to really emphasize an overall feeling of what you really want out of the program. — © Peggy Fleming
Then came the choreography... the impact of music and choreography tends to really emphasize an overall feeling of what you really want out of the program.
Most people say that Asian or female artists should be sexy in America, but I don't think that I have to be like that. I have a tomboy style. My choreography is not that way. So, I want to focus on my music style to match the choreography, which is really cool. No girls can dance those moves. I try to make them really fresh.
Fight choreography has far more in common with dance choreography than it does with actual martial arts. You learn martial arts techniques, but those are just the movements for the choreography. You're working with a partner in choreography. You're working on timing.
Choreography is amazing. I'm still a dancer, yet I transitioned into choreography then as a Creative Director. All of these creative elements are brought out of being a dancer. Directing is something that comes out of understanding movement and choreography. Directing movement is directing a dance piece.
Dance has helped me with everything. It was a great foundation for discipline, hard work and, unfortunately, the ever-elusive idea of perfection. It lends itself easily to fight choreography, because that's what it really is. Choreography. And knowing how to move with someone.
Idol has pretty much taken me out of my recording and out of my choreography. I have managed to slip in some choreography jobs. And I've been writing songs for other artists.
Without my husband's costumes I wouldn't have known how to accomplish what I saw in my own mind's eyes for choreography. And then seeing our choreography and knowing the background of it I am sure helped my husband a great deal with what he designed for us.
I'd never been around a capella or really knew much about it. I feel like I know a lot about music, but what I didn't anticipate is that when every actor has to sing a different part and then do all their choreography on the same beat or on the same word, it's really hard.
I started dreaming of becoming a singer after seeing Michael Jackson in the 'Billie Jean' video. The mix of fantastic choreography and amazing music made such a huge impact on the music industry.
The chance to work on Broadway choreography as opposed to having to deliver Broadway choreography can be two distinct things.
Don't get confused; doing choreography in the ring can be done by anyone. I take the guy who works in the gas station on the corner, and I teach him a choreography for a week, and I swear he can do it in a ring.
One of the first things I created was music for the Paris opera's ballet troupe. That was the first time that electronic music was played at the opera. I really like the relationship between the music and the choreography.
I am absolutely desperate to do an action movie. And not to blow my own trumpet or anything, but I actually think I'm good at it. I did it all. I was really into the routines and the choreography. I used to dance when I was younger, and so I think that came in handy.
I rehearsed it a lot underwater with a mouthpiece for Casino Royale and not freaking out, because you can't see a thing. It's like being in a really bad nightmare. I've never seen somebody drown, but I really swallowed water. It was like choreography. It was very emotional. I was crying underwater at one point.
Fighting is kind of like choreography. It's not just get in there and punching someone: you have to have choreography. Someone is going to hit high; someone is going to hit at the bottom.
The goal, when you're playing a character that's super beloved from a movie, is to honor what the actor before you has done and then really just expand, which is what you get to do in a musical because you have songs, choreography, and everything is happening in real time.
For me, the choreography always comes from the music.
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