A Quote by Peggy Lipton

If you look at the old 'Mod Squad's, there was a lot of space in between our dialogue. — © Peggy Lipton
If you look at the old 'Mod Squad's, there was a lot of space in between our dialogue.
I'm still a mod, I'll always be a mod, you can bury me a mod.
As far as the fashion of mod 60's goes...I've always loved it. I bought a mod dress while still in college for an audition I had for Marsha Brady in The Brady Bunch Movie. It may have been a little too mod for the American 60's, but I think it worked just fine. I ended up wearing it a lot and it became one of my favorite pieces.
I feel the same magic about 'Angel Falls' that I did with 'Twin Peaks' and 'Mod Squad.'
Despite 'Mod Squad's hit status, I never really made the inner connection that I was contributing.
It is important to learn from other women. We have a lot to offer and to learn from each other out of our separate and common experience. The sisterhood (including the boilers - the old chooks!) is important to me. The dialogue between women is a rich field, but change does not come without a lot of reading, asking, listening, risk taking and hard work.
They are our future, and we must have a dialogue. This dialogue between the past and the future is important. Because of this I underline so much the relationship between the youth and grandparents. They must speak with.
I was a complete mod and had to wear mod clothes and have a Beatle haircut, and I tried to talk in a Liverpool accent.
Nowadays, people always say, how come he's doing such young shows? But they never mention The Mod Squad. I was very proud of that show. It's the first time an African-American guy kissed a white girl.
Nowadays people always say, 'How come he's doing such young shows?' But they never mention 'The Mod Squad'. I was very proud of that show. It's the first time an African-American guy kissed a white girl.
You only have to look at the England squad to see the amount of players who get in the squad and start the games - the majority play in the Champions League.
Anytime that is ‘betwixt and between’ or transitional is the faeries’ favorite time. They inhabit transitional spaces: the bottom of the garden, existing in a space between manmade cultivation and wilderness. Look for them in the space between nurture and nature, they are to be found at all boarders and boundaries, or on the edges of water where it is neither land nor lake, neither path nor pond. They come when we are half-asleep. They come at moments when we least expect them; when our rational mind balances with the fluid irrational.
With dialogue, people say a lot of things they don't mean. I like dialogue when it's used in a way when the body language says the complete opposite. But I love great dialogue... I think expositional dialogue is quite crass and not like real life.
So, poetry becomes a means for useful dialogue between people who are not only unknown, but mute to each other. It produces a dialogue among people that guards all of us against manipulation by our so-called leaders.
But in order to survive in this foreign world, I had to teach myself that love was very much like a painting. The negative space between people was just as important as the positive space we occupy. The air between our resting bodies, and the breath in our conversations, were all like the white of the canvas, and the rest our relationship- the laughter and the memories- were the brushstroke applied over time.
The Chinese Government and I myself have always attached great importance to China-U.S. relations. In the new historic era, I look forward to working together with you to continuously strengthen dialogue and exchanges between our two countries.
In regards to live shows, space is very important to me. Space and context should complement the music in some way; you gain so much from it. It enhances the dialogue between audience and performer. I'm very much aware of this when choosing venues. I say no to 90% of booking offers. Somehow I feel the venue needs to make sense.
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