A Quote by Peggy Noonan

Speeches are not magic and there is no great speech without great policy. — © Peggy Noonan
Speeches are not magic and there is no great speech without great policy.
Great speeches have always had great soundbites. The problem now is that the young technicians who put together speeches are paying attention only to the soundbite, not to the text as a whole, not realizing that all great soundbites happen by accident, which is to say, all great soundbites are yielded up inevitably, as part of the natural expression of the text. They are part of the tapestry, they aren't a little flower somebody sewed on.
Convention speeches are powerful tools to bend the curve of public opinion. George H. W. Bush's 1988 convention speech is a great example. His son's speech was also quite powerful.
Because the speech is an argument, and a great speech makes an argument well, the act of making that argument is a really important part of how the policy process coalesces and solidifies both for the candidate and also the people serving that candidate.
Magic has power to experience and fathom things which are inaccessible to human reason. For magic is a great secret wisdom, just as reason is a great public folly.
Great wisdom is generous; petty wisdom is contentious. Great speech is impassioned, small speech cantankerous.
The great example, the killer example in history, is of course Abraham Lincoln, the great emancipator. Read his speeches. Read the debates. Wendell Phillips called him "the great slaver from Illinois."
Everyone's life would be improved if they do could one great magic trick. And tell one great joke, play one tune on the piano, and do one great origami fold.
People have a right to give a speech. And people have a right to protest. But I'm not a great fan of disrupting people's speeches.
There is no field of activity for great men without the coming of great wars, great struggles and great revolutions.
When I read great literature, great drama, speeches, or sermons, I feel that the human mind has not achieved anything greater than the ability to share feelings and thoughts through language.
Not only do you need great lyrics, a great message, a great story, great vocals, great chords... you also need great instrumentation, great editing, great sonics, great mixing, and great mastering. It all comes together to make something truly great, and I think each element combines together to create a powerful impact on the consumer.
I'd do a demo recording by myself, layering instruments on top of one another, and while that's fun, it doesn't have the same impact as getting some great players together in a great studio with a great engineer and producer, then waiting for the magic.
To rule without being felt…is the great mystery of policy.
For me, a great fantasy is real people, a world I recognise, human struggle and magic. You've got to have magic to make a fantasy work. But I like my magic to be subtle. I don't want magic coming out of the hands of wizards. I want it to be pervading, sinister somehow.
Great is Youth--equally great is Old Age--great are Day and Night. Great is Wealth--great is Poverty--great is Expression-great is Silence.
Art is magic... But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic.
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