A Quote by Peggy Orenstein

The anesthetizing against caring really threw me for a loop. I was seeing it with 15-year-olds. It was how they were starting their intimate lives. It alarmed me. — © Peggy Orenstein
The anesthetizing against caring really threw me for a loop. I was seeing it with 15-year-olds. It was how they were starting their intimate lives. It alarmed me.
It is impossible to maintain civilization with 12-year-olds having babies, with 15-year-olds killing each other, with 17-year-olds dying of AIDS and with 18-year-olds getting diplomas they can't even read.
There should be a certification process to suggest if a particular film is suitable for 12-year-olds, 15-year-olds or 18-year-olds. The same thing I think applies for the Internet.
All my career I have done that, worked with talents, improving 19-year-olds, 20-year-olds, 17-year-olds, 18-year-olds.
She looked at me, confused. “He hardly knew me. My parents dated and got married before we knew what happened. Let’s just say we were not brought into the loop on that decision.” “That’s weird. I wasn’t brought into the loop with my parents’ marriage either.” “Really? How old were you?” “Twelve months.” She giggled. “I can’t imagine why they didn’t ask your opinion.
With 'Stardust', I hope what I was doing is giving 30-year-olds and 40-year-olds and 25-year-olds and 60-year-olds a chance to get the same sense of wonder, the same feeling, the same magic, that they got in reading the classic fairy tales as children.
I feel like a lot of teenagers have typically been played by 25 year olds, and even 30 year olds. It's nice that I'm playing a little bit more to my age, although from 15 to 19 are pretty progressive years.
I don't want the 35-year-olds in my audience to think of me as as 'pops' giving the kind of advice that only 65-year-olds can understand.
Some people aren't smart enough to understand the intellectual part of a being. That's why as a 30-year-old you don't have a conversation with a 15-year-old. I don't dine with 15-year-olds and talk about life. Our experiences are completely different.
I love writing songs with people, which is about really taking risks, throwing yourself over the falls and really seeing what you're made of and seeing how it sticks. Seeing how others react to it, and seeing also how it can become a melody and how it can really take off from your experience. It's a way of seeing life unfold on the page before me.
I'm writing about the things I see all around me. Growing up in Mississippi, I've seen how these backward ideas about class and race and healthcare and education and housing and racism impact everyday lives. For example, my mother wouldn't let me go to my homecoming dance because the yacht club where they were having the dance threw a fundraiser for David Duke, an ex-Klan member, when he was running for governor of Louisiana. So I grew up seeing how personal politics could be.
At 13, in my first year of Tonbridge, I went up for the part of Macbeth. I was up against the 17- and 18-year-olds, but for some reason I got the part. It made me incredibly unpopular with my peers, but it was the English and drama teachers who stepped in to save me when others wanted me kicked out of the school.
Taking Big Bird away from our five year olds, lunch money away from our ten year olds, job training programs away from our fifteen year olds, and college loans away from our twenty year olds is a disgrace.
We typically make movies that are geared towards 18-year-olds. The people who pay and go to movies more than two or three times are usually under 22, so I get how it works. I don't really want 18-year-old boys to find me that attractive, that kind of would creep me out at this stage.
All of a sudden it's twelve-year-olds who are contacting me, fifteen-year-olds, and they have very, very fascinating questions. However, they speak in a language of their age group which I have to learn first.
My youth coach told me he'd got these two great 15-year-olds. I told him I don't want to know, because by the time they're 18 I'll be dead.
In my experience, my music has drawn people of all ages, which is a real wonderful thing. And at my gigs you get everyone from six year olds to 90 year olds. And I find that really quite moving, actually.
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