A Quote by Peggy Orenstein
I'm watching my own daughter grow up. I see this overt sexual culture coming at her like a Mack truck. She's in seventh grade.
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You know how you wake up in the morning and sometimes you look gorgeous and other times you look like you got hit by a mack truck? I realized that my mack truck is food. If I have no sugar, yeast or wine, I have no undereye bags and my skin is perfect.
The story of Terisa and Geraden began very much like a fable. She was a princess in a high tower. He was a hero come to rescue her. She was the only daughter of wealth and power. He was the seventh son of the lord of the seventh Care. She was beautiful from the auburn hair that crowned her head to the tips of her white toes. He was handsome and courageous. She was held prisoner by enchantment. He was a fearless breaker of enchantments. As in all the fables, they were made for each other.
I am just indulging in watching our daughter grow, seeing her walk around the house, get up and sometimes fall on her bum, it is a beautiful sight and very heartening to see her becoming a loving and happy child.
Sometimes I'll say, "I wrote that book," and the person will look at you as if you're really strange. One time that happened to my daughter on a plane. She was sitting next to a girl who was reading one of my books and my daughter said, "My mother wrote that book." And the girl started to quiz my daughter, asking her all sorts of questions, like what are the names of Judy's children and where did she grow up. My daughter thought it was so funny.
It's a little crazy. Last year, I was in seventh grade, and we were the babies at the school - 'cause my middle school's eighth grade and seventh grade - and now I'm eighth grade, and all these new students have come in, and they're all like, 'Oh my gosh! Darci Lynne!'
Katie is like my calendar, watching her grow and change. She is growing up so fast, learning to have opinions of her own, learning that I don’t have the answers to everything. And the moment a child begins to understand that, you know you’re in trouble.
I am standing on the seashore. A ship spreads her white sails to the morning breeze and starts for the ocean. I stand watching her until she fades on the horizon, and someone at my side says, She is gone. Gone where? The loss of sight is in me, not in her. Just at the moment when someone says, She is gone, there are others who are watching her coming. Other voices take up the glad shout, Here she comes! That is dying.
She'd assumed she'd be married and have kids by this age, that she would be grooming her own daughter for this, as her friends were doing. She wanted it so much she would dream about it sometimes, and then she would wake up with the skin at her wrists and neck red from the scratchy lace of the wedding gown she'd dreamed of wearing. But she'd never felt anything for the men she'd dated, nothing beyond her own desperation. And her desire to marry wasn't strong enough, would never be strong enough, to allow her to marry a man she didn't love.
My mom teaches sixth grade and also taught first grade at one point. She's into dressing up and costumes and designing her own curriculum that way. She stayed home for about eight years with me and my sister when we were young before going back to teaching, so we had a lot of time with her. She taught us to read really early.
I don't want my daughter to grow up and feel like she has to try that hard to get people to accept her.
Sexual activity, for women, has a history of vulnerability, in a way it simply does not have for men. The mother has to teach thishidden text to her daughter. The mother's warnings, her attempts to halt sexual development in her daughter, are not so much signs of disapproval or envy, but of fear.
So this judge in Virginia rules that a lesbian wasn't fit to raise her own daughter because she might grow up to be a lesbian, and gives custody to the lesbian's mother. And I'm thinking, "She's already raised one lesbian."
Emily Dickinson has haunted my life - her poems, her persona, all the tales about her solitude. Ever since I discovered her in the seventh grade, I've had a crush on that spinster in white, who had such a heroic and startling inner landscape of her own.
I liked the way my character, Shane, was first introduced. You get introduced to her through this sexual action, and I thought that was so cool and just kind of summed up what she enjoys and who she is, to a certain extent. She's a complete sexual being and the great thing is that she doesn't apologize for it. It's just who she is. We rarely see women be able to do that on television.
Having my daughter in the backseat with her best friend, singing "Let It Go," the Frozen song, at the top of her lungs, and just watching her sing when she thinks no one is watching. That, to me, is pure love.
The thing I'm writing now, I have various characters, and all of a sudden, out of nowhere, this couple dies. And they have a daughter. ...I thought, 'OK, we have to do something with the daughter' ... then I realized she's not really their daughter. She has her own story. And she's become the most interesting character. She was this throwaway character that I didn't even conceive of before I started writing her into it, and now she's become very important in this book.
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