A Quote by Peggy Phelan

Patronizing the Arts is a brilliantly nuanced assessment of why universities must become art patrons. Learning from the twentieth-century university's embrace of Big Science, Garber argues that twenty-first-century universities must rigorously devote their attention to Big Art. Provocative, witty, and layered, Patronizing the Arts cogently demonstrates the advantages for both art and the university in this new and radical alliance.
Including my nine years as a student, the majority of my life has been at Hokkaido University. After my retirement from the university in 1994, I served at two private universities in Okayama Prefecture - Okayama University of Science and Kurashiki University of Science and the Arts - before retiring from university work in 2002.
Here's the new art of the twenty-first century: the art of curating, the art of plucking all the good stuff from a superabundance of crap.
The humanities and science are not in inherent conflict but have become separated in the twentieth century. Now their essential unity must be re-emphasized, so that twentieth-century multiplicity may become twentieth-century unity.
It has become part of the accepted wisdom to say that the twentieth century was the century of physics and the twenty-first century will be the century of biology.
Dancing and building are the two primary and essential arts. The art of dancing stands at the source of all the arts that expressthemselves first in the human person. The art of building, or architecture, is the beginning of all the arts that lie outside the person; and in the end they unite. Music, acting, poetry proceed in the one mighty stream; sculpture, painting, all the arts of design, in the other. There is no primary art outside these two arts, for their origin is far earlier than man himself; and dancing came first.
Twenty-first century medicine must not be confined to a twentieth-century bureaucracy.
The art that we should be doing today, in the twenty-first century, is art that is not for the museum.
Art, in the widest sense of the word, is the instrument Hellenism has used and would use for that purpose. All the arts, poetry, music, ritual, the visual arts, the theatre, must work singly and together to create the most comprehensive art of all, a humanized society, and its masterpiece, the free man.
No one yet knows what awaits the Jews in the twenty-first century, but we must make every effort to ensure that it is better than what befell them in the twentieth, the century of the Holocaust.
We are living in 1937, and our universities, I suggest, are not half-way out of the fifteenth century. We have made hardly any changes in our conception of university organization, education, graduation, for a century - for several centuries.
Christian art today should be twentieth-century art.
You perhaps know me as a novelist. Literature is one of the arts - in fact, the noblest of the arts. That is not my opinion; it was first expressed by the ancients. As art, literature has many similarities with the other art forms.
The art of dancing stands at the source of all the arts that express themselves first in the human person. The art of building, or architecture, is the beginning of all the arts that lie outside the person; and in the end they unite.
The cave art of Madison Avenue has been by far the most innovative and educative art form of the twentieth century.
If art is to flourish in the twenty-first century, it must renew its moral authority by rededicating itself to life. It must be an enriching, ennobling and vital partner in the public pursuit of civilization. It should be a majestic presence in everyday life just as it was in the past.
exile ... might be the largest new state created by the twentieth century and the psychology of the twenty-first century.
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