A Quote by Pegi Young

I came into my own, you might say, in terms of putting out my first record quite late in life. And yet there's some authors and photographers and even probably recording artists that didn't really hit their stride until their mid-50s.
When I came out of service, the first couple of releases didn't really hit so I just took a little hiatus and sat down to see what was happening. I just glued my ears to the radio and then I started writing - the first hit record that came out was "Everybody Loves a Winner.
When I came out of service, the first couple of releases didn't really hit so I just took a little hiatus and sat down to see what was happening. I just glued my ears to the radio and then I started writing - the first hit record that came out was 'Everybody Loves a Winner.'
Throughout the '50s, tons of unknown locals came through Sun to record their demos. Elvis Presley, Johnny Cash, and Jerry Lee Lewis all made their first recordings at the former Memphis Recording Service.
I don't think that much anymore in terms of 'write a record, record a record, tour a record,' because in my own mind, things have changed, in that I'm just an ongoing artist. I'm not quite sure what the next project needs to be until it presents himself, and then I know. I just follow dutifully while I'm being led.
Going to regular public high school and working and auditioning was really, really tough. I never really fit in and hit the stride that all the other kids were on. Instead of going out and hanging out with my friends at that age, I remember being in my bedroom and putting on like a Christina Aguilera tape and just like belting. And seeing if I could hit every single note just like her.
I sort of came out at the dawn of the Internet in the mid-90s and I think it helped break my career. I think I was one of the first artists to really benefit from the grassroots swell that can happen online. I don't know if I would have broken out without it.
By the time my first solo record came out, I was making a handsome living as a record producer. I had worked with the Band, Janis Joplin and all of these other artists in the Albert Grossman organization. So as my so-called solo career evolved, I never felt pressure that I had to come back and top when I might've done before.
I didn't really hit my stride until my Olympic year.
I waited until the end of the 'Behold Electric Guitar' recording sessions to record 'A Herd of Turtles,' as I knew the unusual arrangement might raise some eyebrows.
Actors don't really get into their stride until they're in their late 30s and 40s.
YouTube didn't really start to hit its stride until 2006.
When I listen to Airplanes record, it takes me back. I remember a lot of my thought processes when I was 20 or 21, writing those songs and recording that record. I wonder what I was thinking when I was trying to say a particular thing. I hear some of the weird little nuances in the recording; I can hear what the room sounded like. I remember what it smelled like. I can remember sitting up in guitarist Chris Walla's bedroom and for the first time in my life having this realization like, "Maybe I can do this. Maybe I can make music that in some capacity people will enjoy and come see me play."
When I first came to New York I was a dancer, and a French record label offered me a recording contract and I had to go to Paris to do it. So I went there and that's how I really got into the music business. But I didn't like what I was doing when I got there, so I left, and I never did a record there.
An era that I specifically like is sort of late '50s, early '60s. I guess mid '50s, too. I like these types of films that deal with post-WWII America and this more complex leading man that kind of emerges from that.
I kind of knew it wasn't going to be until my 30s that I really hit my stride as an actor.
I don't even start singing anything until the mic is on and recording, because my first ideas are usually my best ones. So I'll just press record; I'll freestyle a whole three minutes.
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