A Quote by Pele

When I was minister of sport in Brazil, I tried to bring in a law that would make the chairmen of clubs reveal their accounts like other businesses. It was turned down, but I think it is an important story that will make a good film.
With independent film, simply because they don't have the money to make a big-budget film, they're forced to make a story that's important to them, that they would like to see on film, a personal story that people can relate to, about people, where you can see the love of the characters.
There is one all-important law of human conduct. If we obey that law, we shall almost never get into trouble. In fact, that law, if obeyed, will bring us countless friends and constant happiness. But the very instant we break the law, we shall get into endless trouble. The law is this: Always make the other person feel important.
I believe thrillers work if the story is good. It is not easy to make a thriller because the audience is making their own story in their minds as they watch the film. You have to break that expectation and still make them like the film.
When I was writing the story of 'Omerta' I was not writing it to make a film or something. But when a filmmaker like Hansal Mehta picked up my story and turned it into a film, I thought that now I can consider myself as a legitimate writer.
A film like 'Good Night And Good Luck,' you make that for $7 million because you know it's a black-and-white film, and it's not an easy sell. If you make it for $7 million, then everybody can have a chance to make a little bit of money, and you get to make the film you want to make.
A good project but a poor director will always make a mediocre film, but an average script and good director can make a good film, as he will put in everything to make the film look good.
Sometimes I think that if it were possible to tell a story often enough to make the hurt ease up, to make the words slide down my arms and away from me like water, I would tell that story a thousand times.
I don't have the story finished and ready when we start work on a film. I usually don't have the time. So the story develops when I start drawing storyboards. I never know where the story will go but I just keeping working on the film as it develops. It's a dangerous way to make an animation film and I would like it to be different, but unfortunately, that's the way I work and everyone else is kind of forced to subject themselves to it.
For me, as a film goer, I like nothing more than to sit in the cinema, have the lights go down and not know what I'm about to see or unfold on-screen. Every time we go to make a film, we do everything we can to try to systematise things so we're able to make the film in private, so that when it's finished it's up to the audience to make of it what they will.
There are three things that are important for a film. Number one is story, number two is story, number three is story. Good actors can save a bad script and make it bearable, but good actors can't make a bad script good - they can just make it bearable.
In Hindi film industry, the maximum one can do is try and make a film like 'Badhaai Ho' or 'Andhadhun,' but if I want to make something of the level of 'Kanchivaram' it is impossible. If I will make that kind a film, it will have no traction.
I think on some level, that's a fear that exists in everybody, that if we're tested, we won't make the courageous choice. We won't make the decision that would make us heroic. We make the decision that would reveal us to be all too human.
Bolkenstein, a Minister, was speaking on the Dutch programme from London, and he said that they ought to make a collection of diaries and letters after the war. Of course, they all made a rush at my diary immediately. Just imagine how interesting it would be if I were to publish a romance of the "Secret Annexe." The title alone would be enough to make people think it was a detective story.
It was time to come up here and retire with my wonderful husband, and my children and my grandchildren, and make that change. I'm not good at hanging on. When I make a decision to cut it off, I have to cut it off completely. I'm not good at, "Oh, I'll stick around and consult a little bit." I'm not good at that and I don't want to do that. I don't think you get anywhere doing that. I mean, I don't, although other people might. But that's not my personality. It's not my id. I have to make the break and be a good sport and adjust to it.
It has worked great good in other communities in the state where it has been honestly and faithfully tried, and I feel confident it will do the same in Pitt, if we faithfully administer the law, and that it will bring gladness and joy into the homes of the people.
To compare Olympic sport with cricket would not be fair. Years back, cricket was a sport only for the classes, and we will also have to make other sports masses from classes like cricket.
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