A Quote by Pendleton Ward
If you're an aspiring show maker, and you have the means to sit around for a few months, you should be making funny cartoons and uploading them to the internet.
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Maybe someday, if I work hard enough, entertainment will be a career for me, but right now making videos and uploading them to the Internet is just a hobby.
I think the Internet gives too much for a young artist to compare themselves too. I'm not sure that "notes" or "likes" are what we should be aspiring to, but the Internet means something different to me because I've always been primarily interested in publishing physical books.
Any comic can get on the radio show and be funny. You can get that on any morning radio show or afternoon radio show. There are plenty of people who do that. It's not a difficult format, to sit around with two or three comics and be funny.
Know what? (Wulf) If halflings live past twenty-seven. But then anything is possible. I say in a few months we should pop us some Orville Redenbacher’s, then sit back and enjoy the show. (Spawn)
So just make films and put them on the internet and promote them by sending links to different animation/film blogs. I think that's a solid first step towards being a show maker.
My temperament is not the adventuresome sort that enjoys starting new projects every six months. I love ensemble, nine-to-five stability. There's a family dynamic in making a television show that you don't get on a movie, where you're a hired gun for a few months.
When you look back at the older cartoons, they're very much more observational cartoons. And the cartoon, the people in the cartoons are not making the joke.
'Entourage' was a show that existed around wish-fulfillment. People watched it because they wanted to believe they could go on private jets and be hanging out in Hollywood, but as a show, comedically, it was not funny. Not a funny show. It's funny, ironically, because of how terrible it is.
I was doing political cartoons and getting angry to the point where I felt I was going to have to start making and throwing bombs. I thought I was probably a better cartoonist than a bomb maker.
My main goal was to be a cinematographer. I was making short films, and the plan was to keep uploading them on Twitter and build a fanbase there. One day, I just started making music for fun. When I made 'Dat $tick,' it blew up, and I saw the potential in that.
I think funny is just the foundation. I don't really think, to some extent, funny is the absolute most important thing. It should also communicate some idea through the medium of cartooning. Just to be funny is... You know what, the things that you laugh hardest at aren't cartoons.
I think 'Lost' was really a pioneer in the use of the kind of connection between a television show and the Internet, and the Internet really gave fans an opportunity to create a community around the show. That was something that wasn't really planned; it just sort of grew up in the wake of the show.
Interestingly it's when you come to the comedy, that's where a lot of the discussion is. It's like ten people sitting around talking about what is funny. "Is that funny? Is that funnier than that? Is this slightly funnier than this?" I guess that's what it's like when you're making a comedy movie as well, you just have to sit around talking seriously about the nature of comedy.
I only started uploading on YouTube because I was having trouble one day uploading a video on my blog.
We sit in a room for months trying to think of funny things.
The great thing about the Internet is - our show is totally modular. Every piece can be popped in and out. They're relatively short pieces. They're not long. And we can say, "here' s one way to market it. Take these pieces out of the show and put them on the Internet." And we're doing dirtier cuts and put those on the Internet. It's a real great way to market the show. This is finally the year a show like this can happen.
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