A Quote by Penelope Cruz
I'm very honored to play one of the women in the movie Volver, and it was special acting with all those other talented actresses. Carmen Maura is a legend and it was a thrill to make a movie with her.
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I don't really like those sorts of actresses who say, 'I don't want to make that movie,' but they make the movie. They just spend their time not liking being on a set and I just think it's absurd, because we are so lucky to do this job. When you accept to make a movie, just make the movie. And then it's more easy for relationships.
Blair liked to think of herself as a hopeless romantic in the style of old movie actresses like Audrey Hepburn and Marilyn Monroe. She was always coming up with plot devices for the movie she was starring in at the moment, the movie that was her life.
in Divorce American style, there was the discomfort of seeing one of the beautiful wasted actresses of the screen, Jean Simmons. Her suggestions of sensibility - what she embodies - were too fine for the world of that movie. Her presence made the movie she was trapped in seem uglier.
I think at the end of the day this movie is respecting what we as women go through as we grow up. The experiences, what we deal with, other women, things about images, things that we deal with as women. This movie addresses that in a very appropriate and sincere way.
I feel think the next logical step is acting, which I think is cool but I never got the acting bug. I never looked at a movie and thought "I wanna act," but after seeing that play I thought, "I wanna write a movie, and I wanna write a play." I will write a movie and I will write a play.
Britney's a very beautiful human being. After I worked with her, I realized that there was a reason why she was the most popular pop artist over so many other pop artists at that time who were more talented, had better voices. And it was because of her heart, her soulShe had the most amazing energy and was always positive and a very discreet person. We were young, too, and got to make a movie about three friends on a road trip. It was so much fun!
Caitriona Balfe, who is Irish, is also in my movie. I asked her to play her Irish accent in the movie, but her own brogue is so faint that I had to keep pumping it up.
I was in a movie called 'Before & After' with Meryl Streep. I was edited out of the movie, but no one told me. I think I was 18 or 19 years old. I sat across from her and asked her every question about acting. I completely embarrassed myself.
I had read the scripts that Nora Ephron had written as a movie about Mike McAlary. We were never able to make it at HBO because we couldn't cast it properly and when I left I called Nora and said, "Look, I actually think that the movie luckyguyindustry has changed. It's very unlikely that you'd be able to make this as a movie. I actually think it's a play."
I think one of the biggest things is the budget.For a studio, becomes a very big challenge to make sure that movie will work even better on every level. As an actor I don't think in those terms when I make a movie.
What I wanted to do was put a woman of color, front and center, in my movie combining a lot of themes that were relevant to both men and women. I actively wanted her to carry the weight of this movie because I'm a woman. And I actively wanted to explore many of the issues that affected her as a woman of color. That was very important to me. And although these issues affect some women of color, I don't think they're only of interest to women of color. They're of universal interest.
I think it's a great thing that women went out in droves to see Sex and the City movie. I think it's wonderful and I think women have always shown they're looking both to be entertained and challenged in a theatre. I don't think women are afraid of movies that make them think; make them feel sad. The movies that I've been associated with are not exactly Sex and the City but women are leading the way to the theatre on those. They used to call it a date movie where the girl gets to choose.
I remember a lot of conversations where I was constantly hearing, 'You've gotta do this movie so you can do that movie. You've gotta make a big movie so you can make a small movie.' But I can't act like that.
Sometimes I feel like every movie I make could be the last. I know that's not really the case, but if I think about it that way and I'm very careful, then maybe I can build a career, movie by movie, that I'm happy with.
Hollywood parties not only confuse me, but they often disillusion me. The disillusion comes when I meet a movie star I’ve been admiring since childhood. I always thought that movie stars were exciting and talented people full of special personality. Meeting one of them at a party I discover usually that he (or she) is colorless and even frightened. I’ve often stood silent at a party for hours listening to my movie idols turn into dull and little people.
People call me a movie star. If you're in the business, a movie star is someone who can make a film bankable. My name and $6 million will make a $6 million movie. I'm a working actor. Because I started late, I had a very short run as a leading man, and my films didn't make money in America.
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