A Quote by Penelope Cruz

I remember playing with some friends and being aware that I was acting as I was playing with them - I would think of a character and pretend to be someone else. My parents also took me to ballet school, and there I think I was able to start communicating those feelings or emotions - I danced for so many years.
I remember playing with some friends and being aware that I was acting as I was playing with them - I would think of a character and pretend to be someone else.
Acting has made me embrace my childhood. It's become some weird form of therapy. It's like I have a place where I can release all of these emotions. When I was playing Ira Hayes, I didn't have to think about the death of my parents directly. It's just there. I can blend it into Ira's character. I can use Ira's emotions as an outlet.
Many people are laughing when they see me, but I'm playing Mrs.Baskets all pristine. I'm playing it not-Louie. I'm not being Louie. I'm just being the character that I think it should be. I had to make a decision as to whether I was going to change my voice or not, but we decided for me not to change my voice, and I think that was the best thing ever, because I think it would've made a big difference in the character. I don't think it would've been as good.
I started playing at six. I was at a school always playing football with my friends. But I was always bored at home. I asked my father if he could start me in a football team. He took me to a team called Rupel Boom, who were playing in the fourth division in Belgium, and I stayed there for four years.
Acting came easy to me, I think. There's something about it that's a lot easier for me in the sense that you're playing someone else. In music, you're giving somebody 'you.' Being able to do that and being willing to share that is an entirely different thing.
Being on television, playing the same character for many years, for me, I think that would get a little tedious.
Emotions fascinate me, just being able to express myself through acting. I love that. And I think, in everyday life, you're always trying to repress your emotions. Like if you're sad, you don't want to show it to someone else.
Some people have this really clear memory of making that decision, and I don't. My earliest memories of being involved with drama or acting were in elementary school. My sister and I got dropped off at an after-school improvisation class, a time-killer for kids while parents were doing the groceries. I'm 6 years old, and I remember running amok and playing these games.
Actors use who they are to be someone else, but I would hate to ever think I'm playing myself. It's imagining being someone else that is the key motivating thing for me. So when people want to know about me, it makes me a bit unnerved.
I always think of the character as being me. But me wearing a 'coat', which may be a different way of speaking, moving or regarding other people. To me, acting is pretending, just like kids playing, only you pretend as if it were really, really real.
I think the best roles are in dark movies. It's roles that aren't you. It's fun playing someone that's not me. If I'm playing me all the time, then it's not acting. It's just being yourself.
Playing a character that allows me to play around with some of the feelings I have inside of myself and explore them - and maybe put them to rest a little bit, or at least come to terms with them - feels successful to me. I think it's about believing in what you do.
Because my faith is important to me and then they wrote it in that my character I would be playing would also be a Christian, many people would often assume now that I'm playing myself on television. And I'm not.
As a kid, I just was a contract player at MGM Studios. They put me into goodness knows how many different roles.Some of them were wonderful and some of them were very just distasteful and awful because I was playing out of my age range and I was thoroughly uncomfortable, let's put it that way. So it took me many years to find my acting feet.
The trouble with most musicians today is that they are copycats. Of course you have to start out playing like someone else. You have a model, or a teacher, and you learn all that he can show you. But then you start playing for yourself. Show them that you're an individual. And I can count those who are doing that today on the fingers of one hand.
I don't remember anything about Ekta and Tusshar's growing years. I don't remember playing with them, being with them, attending their school functions.
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