A Quote by Penelope Fitzgerald
I believe that people should write biographies only about people they love, or understand, or both. Novels, on the other hand, are often better if they're about people the writer doesn't like very much.
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I don't buy into the idea that an Irish writer should write about Ireland, or a gay writer should write about being gay. But when I found the right story, I saw it as an opportunity to write about being a teenager and being gay. Most people, whether you're gay or straight or whatever, have experienced that relationship where one person is much more interested than the other.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
If you read the biographies of people who have written good books, you often see the point where they suddenly come into themselves, and those weeks in the spring of 1997 were when I came into myself as a writer. They feel like some of the best weeks of writing I’ll ever have. The discovery that I could write better about something as trivial as an ordinary family dinner than I could about the exploding prison population of the United States, and the corporatization of American life, and all the other things I’d been trying to do, was a real revelation.
I love making music. I feel like people often get into that 'you should only make music for yourself' kind of place, where they say things like, "I don't write for other people, I write for myself," and I feel like that misses the mark so much because music, especially pop music, is so much more than yourself.
Usually I read biographies of interesting people. I am not attracted to novels - make-believe, or recreations of what people think life should be.
I write about presidents. That means I write about guys - so far. I'm interested in the people closest to them, the people they love and the people they've lost... I don't want to limit it to what they did in the office, but what happens at home and in their interactions with other people.
My novels are often about people who are in love or attracted to each other.
You can understand other people only as much as you understand yourself and only on the level of your own being. This means you can judge other people's knowledge but you cannot judge their being. You can see in them only as much as you have in yourself. But people always make the mistake of thinking they can judge other people's being. In reality, if they wish to meet and understand people of a higher development than themselves they must work with the aim of changing their being.
The problem with the literary hothouse of New York City is that people spend so much time looking in the mirror. They go to parties with people who are just like them, and they write novels about people who are just like them. It's limiting.
People always slow down for a train wreck. It's like junk food. If you don't feel good about yourself, you want to read crap about other people, like gossip in high school. You don't understand why it's there, but somehow it makes a lot of people feel better.
I write my novels personally, desperately and non-negligently. When I write my novels, I think about my novels only, and never do other works.
One thing I ask you to do, you people who have
the pen in your hand, allow God to use you so that you never write
anything that will destroy, that will hurt, but always take the trouble
to write something beautiful, to help the people to see better, to love
better, to come closer... to each other.
Often, very talented technical people find it extraordinarily difficult to take the viewpoint of customers, who are often ignorant about the technology and who may have strong and perhaps incorrect prejudices about it. The technical people may believe, deep down, that they know better what customers "should" need. Customers, of course, have a different perspective. They want products that will solve customer problems and provide other customer benefits, and will do so without undue risk or cost. Not infrequently, customers view advanced technology itself as a risk.
Oh, I am very old fashioned about my literature taste. I like Henry James. I like George Elliot. I like Dostoyevsky. I like the old people. I really do. I like people who write big, fat, juicy novels you can get completely lost in!
Writing fiction is very different to writing non-fiction. I love writing novels, but on history books, like my biographies of Stalin or Catherine the Great or Jerusalem, I spend endless hours doing vast amounts of research. But it ends up being based on the same principle as all writing about people: and that is curiosity!
I'm especially interested in what I call practitioner criticism, which is when people who practice an art form start writing about it on blogs. I think that's an immensely important development. I want to see much, much more of that. People who make music who are verbally articulate. And not all musicians are verbally articulate. But those who are should be encouraged to write about what they do and their perception of what other people do. It makes the discourse smarter.
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