A Quote by Penelope Gilliatt
Great comedy calls large matters into question.
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A great model for this is the way that Dante calls on Virgil at the beginning of 'The Inferno,' 'The Divine Comedy,' to help guide him through the underworld.
Everyone loves a hero. What we differ on is the question of who the heroes are, because we differ over what matters. And who matters is a function of what matters. [If] what matters is intelligence, the people who matter are the intelligent, and the people who matter the most, the heroes, are the geniuses.
Any country is hard to govern, even a very small country. It's not a question of whether the country is large or small. It's a question of how you relate to the work, to what extent you feel responsible for it. Russia is also hard to govern. Russia is at the development stage of both its political system and the creation of a market-based economy. It's a complicated process, but very interesting. Russia, actually, is not just a large country, it's a great country. I mean its traditions, and its cultural particularities.
By and large, the answer to the question "How do large institutions survive?" is "They don't!" The vast majority of large modern-day institutions - some of them extremely vital to the functioning of our complex civilization - simply fail to exist in the first place.
As much as the constitutional argument matters to me, what really matters to me is this sort of moral question of can we order somebody to risk their lives about a military mission if we're not willing to debate, vote, and say that the military mission matters?
Mmmm... the comedy that matters is the comedy you pull out of thin air. It's a bit like when something funny has happened and you try to explain it to someone else and end up saying, 'You had to be there'.
Mmmm... the comedy that matters is the comedy you pull out of thin air. It's a bit like when something funny has happened and you try to explain it to someone else and end up saying, 'You had to be there.'
The living can't quit living because the world has turned terrible and people they love and need are killed. They can't because they don't. The light that shines into darkness and never goes out calls them on into life. It calls them back again into the great room. It calls them into their bodies and into the world, into whatever the world will require. It calls them into work and pleasure, goodness and beauty, and the company of other loved ones.
If the question is, how do we best produce business people who can succeed in the post-Great Recession era, then I think the MBA programs and their connection to large companies remains intact but it's not the path to a "Business Brilliant" life. It's a path to a middle-class existence marked by large stretches of security and comfort with occasional eruptions that you're probably ill-prepared to handle. Do I sound too cynical?
I think one of the great things is that when I got started, no one would return my calls, and now I get a lot of phone calls, which is good. I have options.
What I love about comedy is that we're this group of weirdos, and the only language that matters is, 'Are you funny?' And it really is this oddly cool American idea where comedy's the marketplace of ideas. May the best idea win.
In private matters everyone is equal before the law. In public matters, when it is a question of putting power and responsibility into the hands of one man rather than another, what counts is not rank or money, but the ability to do the job well.
Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do. If you haven't found it yet, keep looking. Don't settle. As with all matters of the heart, you'll know when you find it.
However, I believe that large groups make markets, so serving the needs of large groups is a simple approach to success in business success. But that's no reflection on whether or not they're making wise moves or good calls. It's just about filling the need.
At the heart of each spiritual tradition is the question of how to be in the world without losing what matters, and whether living an awakened life is of any use if we don't bring what matters to bear on the world.
Life-writing calls for any number of dubious gifts: A touch of O.C.D., a lack of imagination, a large desk, neutrality of Swiss proportions, tactlessness, a high tolerance for archival dust. Most of all it calls for an act of displacement. 'To find your subject, you must in some sense lose yourself along the way,' is Richard Holmes's version.
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