A Quote by Penelope Lively
I can walk about London and see a society that seems an absolutely revolutionary change from the 1950s, that seems completely and utterly different, and then I can pick up on something where you suddenly see that it's not.
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It seems to me that when I see nature I see it ready-made, completely written - but then, try to do it!
When something like personal genomics or synthetic biology suddenly appears - it seems to suddenly appear - we might have been working on it for 30 years, but it seems to come out of nowhere. Then you need strategies for engaging a lot of people and thinking about where it will be going in the next few months or few years.
Aladdin in his most intoxicated moments would never have dreamed of asking his [djinn] for [a polaroid] ... It's utterly new in concept and appearance, utilizing an utterly revolutionary flash system, an utterly revolutionary viewing system, utterly revolutionary electronics, and utterly revolutionary film structure.
You think you might know something about yourself or why you act or react in certain ways and then you come to new information and suddenly you see your past and your present in a completely different light.
It's very interesting to see how the music is used, as sometimes you have composed something with a very different intention, and then suddenly you see it connected to something different. For example, it was incredibly strong and beautiful the first time I saw 'This Is England' by Shane Meadows.
When you see a knife, fork and a spoon it seems to me like there are two of them together on one side of a plate, and then there's one on the other. It seems like a couple and a singleton. It seems obvious to me!
So much of selling a film in the industry is about creating a fulcrum where all the pressure comes to bear, and something seems suddenly valuable and approved by an audience. It's amazing how people could pick up tons of films on the cheap, but they don't because they wait until everything is laid out for them.
And other people get the opportunity to leave prison, and then they do something to get put back in there because they can't actually function in society. It's really cool because you get to see all these different women, their backstories, where they come from, their upbringing and why they get to where they get to, and they're all completely different. It's really cool that you get to see all those storylines.
It seems to me that people who don’t learn as easily as others suffer from a kind of learning disability—there is something different about the way they comprehend unfamiliar material—but I fail to see how this disability is improved by psychiatric consultation. What seems to be lacking is a technical ability that those of us called ‘good students’ are born with. Someone should concretely study these skills and teach them. What does a shrink have to do with the process?
The whole format of entertainment that I did seems to be fading away. The music business of today is completely different when you see the videos and the music.
Depression is something that seems really obscure when you see it in a theater, but when you talk to people who come to see it and hear their reactions, you realize that it is such a prevalent part of life and our society today that it really needed to be told, and still needs to be told.
See beauty in those unexpected places. (she asked herself how people could let Bach be background noise.) See the opportunity in what looks like inconvenience. (she steered clear of the traffic jam and went to the bakery she's been meaning to stop at.) She embraces the undeclared possibility in what seems like just another ordinary day. (her friend is scheduled for cancer surgery and suddenly everything around her seems so very precious.)
The idea of being at home and picking up kids from school and cooking dinner and then the husband comes home - there's something that seems really nice to me 'cause I never had that growing up. And it seems so enticing. But in my mind, I'm like, 'Well, I'll just play that in a movie and go about my own life, bizarre as it is.'
What does interest me is how difficult my culture seems to find it to look the dark side of life directly in the eye. It seems to me that if we look back at mediaeval culture, for example, we see a society which faces the reality of death and pain and limitation, because it has to. Our society, which is progressive and technological and seems to have a slightly fanatical utopian edge to it, gets very uncomfortable when anybody highlights the dark side of humanity, or the world we have built, or what we are doing to the rest of life on Earth.
If I see something that seems out of sync with what's already known, the first thing I do is try to find out what's wrong with the data. Once you've done that, and it still seems wrong, that's when things get interesting. It means you've found something new to understand.
The past is open to all sorts of magical possibilities because it can't be verified. It's as we make it, so it seems to be entirely free. It seems to be completely up for grabs. But of course it's not.
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