A Quote by Penelope Lively

I've always been fascinated by the operation of memory - the way in which it is not linear but fragmented, and its ambivalence. — © Penelope Lively
I've always been fascinated by the operation of memory - the way in which it is not linear but fragmented, and its ambivalence.
I've always been fascinated by memory and I remember Jonah, when we first started dating, was working on something involving memory. It was early on in our relationship and I was like, damn it, I wanted to do a movie on memory. That was 'Memento.'
I'm always fascinated by the way memory diffuses fact.
I have always been fascinated by paranoid people imagining conspiracies. I am fascinated by this in a critical way.
I'm a moderate Democrat. I've always been fascinated and maddened by the way things get done in our system, which as an ideal is so extraordinary, but the way it actually works can be mind-boggling.
If you have a patient in a doctor's office who's just been told they have terminal cancer but there's this operation they could perform right now that might save their lives. ... They have a 90 percent chance of surviving the operation — if you tell them that, they respond one way. If you tell them ... that they have a 10 percent chance of being killed by the operation, they are about three times less likely to have the operation.
The idea that memory is linear is nonsense. What we have in our heads is a collection of frames. As to time itself-can it be linear when all these snatches of other presents exist at once in your mind? A very elusive and tricky concept, time.
Objects obey quantum laws- they spread in possibility following the equation discovered by Erwin Schodinger- but the equation is not codified within the objects. Likewise, appropriate non-linear equations govern the dynamical response of bodies that have gone through the conditioning of quantum memory, although this memory is not recorded in them. Whereas classical memory is recorded in objects like a tape, quantum memory is truly the analog of what the ancients call Akashic memory, memory written in Akasha, Emptiness- nowhere.
'Hispanic' is a reference to Hispania, the name by which Spain was known in the Roman period, and there has always been strong ambivalence toward Spain in its former colonies.
I've always been fascinated by the way that children and animals suffer stoically in a way that I don't think adults do.
I always liked creativity, whether it was to draw or sew - any creative assignment I was getting from school, or just on my own. I love people and behaviors, and I'm interested and fascinated by why we do what we do. And I wanted to be a therapist, to be honest. Maybe wirking in film combines the two worlds, in a not super-linear way, but it definitely feeds both my two passions.
There's a preoccupation with memory and the operation of memory and a rather rapacious interest in history.
I know that my tendency is to be linear, and I'm trying to find ways to subvert that. And so in 'Bellocq's Ophelia' my device for subverting it was to tell the story and then to tell it again; it always circles back to this one moment, and it's not linear, but it's round in that way, and much of 'Native Guard' is like that.
I've always been fascinated by memory and dreams because they are both completely our own. No one else has the same memories. No one has the same dreams.
Memory is the primary and fundamental power, without which there could be no other intellectual operation.
I've always been really attracted to playing with structure. To take the story of 'Fargo' and break it up in such a way that's it's not linear, per se.
We know that the end of any conflict is always messy. It's never a linear path when you've been at war for almost 20 years. It's never a clean, straight linear path to the end.
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