A Quote by Penelope Mitchell

One of the great things about working for Netflix is that they haven't placed any restrictions on content or artistically. — © Penelope Mitchell
One of the great things about working for Netflix is that they haven't placed any restrictions on content or artistically.
Youku Tudou is a hybrid, like combining Netflix and YouTube. Like Netflix, with Youku, which launched in 2005, we syndicate a library of longform content and create original content. The Tudou model started with user-generated content but is increasingly becoming about partner-generated programming.
I'm excited when any Netflix show comes out. I'm like, 'Yeah, Netflix! Doin' great! We're all on the same side.'
We think of Netflix as a great personalization machine. It understands how you love French midcentury cinema and British murder mysteries, so examples of those pop up in your personalization engine. But you're also getting fed a lot of Netflix content.
I think people are going to places that they weren't able to with television before, and I think Netflix really paved the way for that. With freedom comes better content, and with better content comes great actors and a bigger audience. I think that has just snowballed into a movement for making really great TV.
With platforms like Netflix, things are evolving as they are making content-driven films and series.
I certainly don't only watch Netflix. I enjoy the fact there is multiple companies producing content. I think it's great for consumers.
It is a conscious choice to go for content-driven scripts because that is the key for any film to work. There are no two ways about it, and I have always been attracted to great content.
Netflix is like sitting at the cool kids' table. Netflix is amazing. We're the biggest fans of not only working there but of the company in general.
Netflix is like sitting at the cool kids’ table. Netflix is amazing. We’re the biggest fans of not only working there, but of the company, in general.
I'm not one of those people who only believe in the Netflix model. I go see films in the theater and love that experience and don't want it to ever die. But I like that Netflix exists, and you can discover so many different types of movies and TV and content you wouldn't have access to.
We provide a breadth of live and catch-up content - what we define as this season's content, none of which is available in the Netflix rerun world.
Beware of Methodologies. They are a great way to bring everyone up to a dismal, but passable, level of performance, but at the same time, they are aggravating to more talented people who chafe at the restrictions that are placed on them.
The opportunity to use a computer is great when it is used as one component, or when someone is working on his or her own sounds and approaches. I think it actually has the same restrictions as using the piano or any other instrument in [a traditional] way.
Unerring wisdom ordained your lot, and selected for you the safest and best condition. Remember this, had any other condition been better for you than the one in which you are, divine love would have put you there. You are placed by God in the most suitable circumstances. Be content with such things as you have, since the Lord has ordered all things for your good.
I got my Equity card at 24 at the Guthrie Theatre in Minneapolis, and they asked me to join the company. I was content and happy working in the company there for a long while until I really started to feel as if I hit a bit of a glass ceiling artistically.
The beauty of 'The OA' or 'Stranger Things' is that they are both made by Netflix for Netflix. And so there was a freedom all of a sudden that matched our intention.
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