A Quote by Penn Badgley
You know, as an only child, you're kind of in a bubble, and there are all sorts of things about my childhood that I still can't really place.
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I tend to not think about the kind of movie things I want to be doing, because I've worked in all sorts of different places, and I've spent all sorts of time in England, and I'd still do things in Australia and in America.
To me in my childhood, elves and fairies of all sorts were very real things, and my dolls were as really children as I was myself a child.
Dance. Dance for the joy and breath of childhood. Dance for all children, including that child who is still somewhere entombed beneath the responsibility and skepticism of adulthood. Embrace the moment before it escapes from our grasp. For the only promise of childhood, of any childhood, is that it will someday end. And in the end, we must ask ourselves what we have given our children to take its place. And is it enough?
The essential and defining characteristic of childhood is not the effortless merging of dream and reality, but only alienation. There are no words for childhood's dark turns and exhalations. A wise child recognizes it and submits to the necessary consequences. A child who counts the cost is a child no longer.
I know what I really want for Christmas. I want my childhood back. Nobody is going to give me that. I might give at least the memory of it to myself if I try. I know it doesn't make sense, but since when is Christmas about sense, anyway? It is about a child, of long ago and far away, and it is about the child of now. In you and me. Waiting behind the door of or hearts for something wonderful to happen. A child who is impractical, unrealistic, simpleminded and terribly vulnerable to joy.
The food of my childhood was revolting because I was a child of rationing. However, I still managed to be a very plump child and, indeed, as a teenager, positively fat. In my early twenties I lost three stone in one summer using the only diet that works: the pure protein diet. I kept to it until I was about 50.
I am like a child who blows up a bubble of soap. At first the bubble is very small, but it is already spherical. Then the child blows the bubble up very softly, until he is afraid that it will burst.
What I hold dear is well-known to all of my colleagues. And, really, The Times is the kind of place, the greatest journalism doesn't just pop forth from our heads. It's, you know, a group of people, and the great ideas bubble up from the reporters to their editors and get to us.
I grew up as an only child, so inherently, most of my life was centered around me. My parents taught me to play well with others and to share my toys, but I was still an only child who didn't have to share my parent's attention with siblings. As great as my childhood was, I always wanted brothers and sisters.
Until you have a child, you won't really understand that you would actually throw yourself in front of a bus for your child. Like, you don't really get it. Like, it's like, 'Hell no.' You know, 'She's only two. I can make another one.' You know? But, you know, you have a baby, and then you actually care about this person.
Don't you know that there's another bubble as well An expectations bubble. Bigger houses private planes yachts ...... stupid salaries and bonuses. People come to desire these things and expect them. But the expectations bubble will burst as well as all bubbles do. Come to my gallery and I will sell you beautiful things at a more reasonable price. But the point is that they will have value. Things of real beauty things of the spirit.
we have to listen to the child we once were, the child who still exists inside us. That child understands magic moments. We can stifle its cries, but we cannot silence its voice.The child we once were is still there. Blessed are the children, for theirs is the kingdom of heaven.If we are not reborn if we cannot learn to look at life with the innocence and the enthusiasm o childhood it makes no sense to go on living.
Because in our boom times, everything is growing, usually, you know, the kind of things that come to mind are Wild, Wild, West, or land grabs, you know, these sorts of things, in order to make something, you know, kind of to grow into the future and to get all the growth that you need to have. So you tend to hire a lot because you're running fast to the future.
I wanted to go to a place where I could think, really sink into my own imagination, or ride it, or drift along it, as in a balloon. The kind of place that probably all writers crave. The kind of place where the outside world is still and quiet and you get a chance to listen, to peer, to go inward
I just remember lot of men running around in little tiny gold shorts! The format - it was kind of hard. You really have to know about pop culture and I'm not really knowledgeable about a lot of those things. I know what I like. They'd ask about Gwyneth Paltrow, and I don't know anything about her, except her mother. I know who her mother is. So you really have to be current and relevant.
You can see all sorts of things in film acting if you know where to look and what to look for. One thing I often notice is that the actor is looking for his mark, the place where he has to stand to be in the right place in the shot.
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