A Quote by Penn Jillette
In music, if you hit a wrong note, people forgive you. In magic when something goes wrong, the entire art is destroyed.
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Beethoven said that it's better to hit the wrong note confidently, than hit the right note unconfidently. Never be afraid to be wrong or to embarrass yourself; we are all students in this life, and there is always something more to learn.
Can we be sure that terrorism and WMD will join together? If we are wrong, we will have destroyed a threat that, at its least is responsible for inhuman carnage and suffering. That is something I am confident history will forgive. But if our critics are wrong and we do not act, then we will have hesitated in face of this menace, when we should have given leadership. That is something history will not forgive.
I was born with the wrong sign
In the wrong house
With the wrong ascendancy
I took the wrong road
That led to
The wrong tendencies
I was in the wrong place
At the wrong time
For the wrong reason
And the wrong rhyme
On the wrong day
Of the wrong week
Used the wrong method
With the wrong technique
Wrong
Wrong.
When you forgive a person, what do you do? You accept the situation, to begin with. And secondly, you forgive what you think has been done wrong to you. But because nothing wrong can be done to your spirit, you just forgive because you are the spirit. And when you forgive, you have found that your tension goes away.
If you hit a wrong note, it's the next note that you play that determines if it's good or bad.
If we are wrong, we will have destroyed a threat that, at its least is responsible for inhuman carnage and suffering. That is something I am confident history will forgive.
If I can hear the music then no, I don't hit a wrong note. But if I can't hear the music because the audience is screaming or the sound system is bad, then I'm subject to stray.
You know, Sage, Jesus didn't tell us to forgive everyone. He said turn the other cheek, but only if you the one who was hit. Even the Lord's Prayer says it loud and clear: Forgive us our trespasses, as we forgive those who trespass against us. Not others. What Jesus challenges us to do is to let go of the wrong done to you personally, not the wrong done to someone else. But most Christians incorrectly assume that this means that being a good christian means forgiving all sins, and the sinners.
We're not building a nuclear reactor here. We're not drilling a mile beneath the surface of the ocean with no plan in case something goes wrong. This is making music, this is melodious air and people can hear what goes into it.
I think it is unnatural to think that there is such a thing as a blue-sky, white-clouded happy childhood for anybody. Childhood is a very, very tricky business of surviving it. Because if one thing goes wrong or anything goes wrong, and usually something goes wrong, then you are compromised as a human being. You're going to trip over that for a good part of your life.
We forgive, if we are wise, not for the other person, but for ourselves. We forgive, not to erase a wrong, but to relieve the residue of the wrong that is alive within us. We forgive because it is less painful than holding on to resentment. We forgive because without it we condemn ourselves to repeating endlessly the very trauma or situation that hurt us so. We forgive because ultimately it is the smartest action to take on our own behalf. We forgive because it restores to us a sense of inner balance.
Making people dance has another function that has nothing to do with art, and I mean that in the most positive way possible. It's like food - if you're not eating it, you're doing something wrong. If they're not dancing, something is wrong.
When you make mistakes, when you're wrong, you should admit you're wrong and ask people to forgive you.
It's not the note you play that's the wrong note - it's the note you play afterwards that makes it right or wrong.
It’s wrong to hate. It always has been wrong and it always will be wrong! It’s wrong in America, it’s wrong in Germany, it’s wrong in Russia, it’s wrong in China! It was wrong in two thousand B.C., and it’s wrong in nineteen fifty-four A.D.! It always has been wrong, and it always will be wrong!
If you hit a wrong note, then make it right by what you play afterward.
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