A Quote by Penn Jillette
I've always wanted to make the world a more rational place. I'm still working on it.
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I'm like a gypsy. I've got a place in Beijing, a place in New York, a place in west Africa; I'm working on a place in Colombia. I like the fact that painting is portable - and I've wanted my entire life to be able to see the world, to respond to it, and make that my life's work.
Michael Jackson is timeless to me. The fact that he wanted to break the rules, that he was always talking about a new world, a global world - "Black or White," "They Don't Care About Us," "Heal the world. Make it a better place" - with this charisma, that always touched me. I'm obsessed with the fact that he went so political. He became a legend, and today I think he's still the King of Pop.
I think different societies, cultures, individuals, teams of people, make the world a better place. The founding fathers, they made New England, they made those 13 colonies. I don't know if they thought they were changing the world or just changing their world, but they did make the world a better place. Doctors that cure patients or cure diseases or make discoveries, they're making the world a better place. Can I make the world a better place by selling underpants? Not really. That's just the means. That gives me resources to try to make the world a better place.
I feel like I've always wanted to live in one place and stay in one place, but I always end up choosing things that make me travel.
This is a fundamental view of the world. It says that when you build a thing you cannot merely build that thing in isolation, but must repair the world around it, and within it, so that the larger world at that one place becomes more coherent, and more whole; and the thing which you make takes its place in the web of nature, as you make it.
I recognize the person that wanted to help people, working hard - naively maybe - to make the world a better place. But I don't recognize the person who was drinking the proverbial Kool-Aid.
And these [pharmaceutical] companies are still threatening to sue. And it's like, you know, do you not have a conscience? Do you not want the world to be a better place? You're still making a profit. How much more of a profit do you want to make?
It is possible for leaders or regimes to be cruel, bigoted, twisted in their world views and still make rational calculations with respect to their limits and their self-preservation.
Even when I was Miss World, I did all the dressing up I could, so the pretty face thing was done. But it was never about just looking pretty with the crown, I always wanted to make it more than that - I wanted to make it about beauty with a purpose. So I carried that into my films as well.
My family wanted church to be a place where we all went together. My dad was always traveling, and my mom was always working. School is where I did Bible classes and studied God.
I always loved movies. I wanted to be in them! I always saw them and said, 'How do you do that?' It seemed like going to the moon. It was not a rational thought, but that's the only thing I wanted to do.
Why are we so addicted to factual knowledge? Why are we so uncomfortable with the unknown? Is it something about the anxiety of our time? Because of course that wasn't always the way. Even now the whole idea of the rational individual has been subject to question and yet we still cling to this idea of factual, rational knowledge being more valuable than whatever its opposite might be.
I wanted to go to a place where I could think, really sink into my own imagination, or ride it, or drift along it, as in a balloon. The kind of place that probably all writers crave. The kind of place where the outside world is still and quiet and you get a chance to listen, to peer, to go inward
I've always wanted to make records that rock like hell. But also, I've never wanted to compromise that Country place deep inside.
My mom had started to go to work when I was nine or ten, so I was aware of women trying to find their own identities by working. But I was still influenced by men to such an extreme. I wanted to play their games and wanted to compete in their world and be like them.
I make films about working class people. All my films have always been about that. For example, the brothel is a workplace. It's aberrant, but a workplace nonetheless. I was more interested as opposed to glamorizing and saying, oh, this is a great erotic place, it's a place of business. The commodity is sex.
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