A Quote by Penn Jillette
Channeling is just bad ventriloquism. You use another voice, but people can see your lips moving.
Related Quotes
But the mechanics of learning to 'throw your voice' are pretty simple. Anyone with a tongue, an upper palate, teeth, and a normal speaking voice can learn ventriloquism.
One of the skills you have to master in theater is the ability to make the audience believe that things that aren't there are there - just like when you're acting against CGI. Also, in a theater, the people in the back row can't see the whites of your eyes. Or your lips moving as you deliver dialogue.
Ladies, use a loving voice, use a respectful voice, use a godly voice, but don't lose your voice.
An intelligent sociopath can learn the rules about what's good and what's bad, what people see as good and bad. But they don't get that intervening sense of guilt, that pang of conscience, on account of it. So they tend to know what's wrong or right, they just don't care. That's another thing that they can use against us: that we do care. We're predictable in that.
I want to see you. Know your voice. Recognize you when you first come 'round the corner. Sense your scent when I come into a room you've just left. Know the lift of your heel, the glide of your foot. Become familiar with the way you purse your lips then let them part, just the slightest bit, when I lean in to your space and kiss you. I want to know the joy of how you whisper "more
You know how they say, "Find your voice"? That's your voice, in your pajamas. And it doesn't mean that you're going to publish it or print it or people are going to see you in your pajamas. It just means you are going to construct the foundation in your pajamas, in that voice.
At the end I couldn't hear what the Queen was saying to me. But it was just great to see her lips moving.
Doing voice work is more like recording music that people are going to listen to. You're creating an oral experience using whatever bells and whistles you have in your voice, and you can shut your eyes and use your imagination and nobody's going to see if the faces you make don't match the voices you make. That's a lot of fun.
I'm not kidding myself. My voice alone is just an ordinary voice. What people come to see is how I use it. If I stand still while I'm singing, I'm dead, man. I might as well go back to driving a truck.
Lips move; lips touch; lips signal. Lips are on the outside for show, and on the most secret inside of your mouth. Lips frame words that lie. Lips frame a hole that wants to be filled.
I started as a ventriloquist, a very bad ventriloquist. And people saw my lips moving and it was ridiculous, so finally I decided I'd better change my occupation.
... I try ... to use my own voice in a way that shows caring, respect, appreciation, and patience. Your voice, your language, help determine your culture. And part of how a corporate culture is defined is how the people who work for an organization use language.
What I’m saying is I think life is staggering and we’re just used to it. We all are like spoiled children no longer impressed with the gifts we’re given—it’s just another sunset, just another rainstorm moving in over the mountain, just another child being born, just another funeral.
I have just as much woman in me as I have man. It's just a matter of channeling the energy into which way you use it.
If you are out there golfing, and you hit a bad shot, anyone who knows golf will tell you that you just have to forget about it. If you don't, you'll hit another bad one and another and then another. It plays with your head. It's the same way in a fight.
In my own art, I try to use my personal voice and effort to enable some Chinese people to see the possibilities of another kind of China. A more open China.
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